Jadavpur University (Department of Comparative Literature), Kolkata has just published (2013) the book Retelling As Interpretation: An Essay on Sarala Mahabharata (123 pages), which contains my essay with the same title, responses to it by Professor Pratap Bandyopadhyay (Literature), Professor Vrinda Dalmiya (Philosophy), Professor Syed A. Sayeed (Philosophy), my response to these, and the piece "By Way of Conclusion" by Professor Ipshita Chanda (Literature). Most of the stories from Sarala Mahabharata discussed here have not been part of Introducing Saaralaa Mahaabhaarata and of this blog.
Tuesday, August 27, 2013
Thursday, May 30, 2013
THE STORY OF KRISHNA'S GURUDAKSHINA
One day Krishna decided
that his elder brother and he himself, both barely out of their childhood,
absolutely needed education. It must have occurred to the avatar that no matter
how many asuras he punished or how many mountains he lifted on his finger tip,
how many serpents he chastised or gods he humbled, none of these or even all of
these together would compensate for his lack of literacy and knowledge of the
shastras. So with elder brother Balarama he went to a well known preceptor of
those days, named Santipani (better known as Sandipani). He told him that they
had lived among people who were all unlettered and ignorant of the shastras.
They had never heard the Vedas even once where they grew up. All they knew was
how to graze cattle, milk cows, churn milk, and some silly things like playing
pranks and the like. The language people used there was uncouth, and the talk
was mostly about catching someone, beating someone up, etc. With so much quarrelling
and fighting all around, they had learnt the language of quarrelling. No one
ever arranged for their education, or even felt that they needed education. Now
they had left it all behind them, left home and parents as well, and had come
to him to learn. In all humility they pleaded with him to accept them as his
pupils. Santipani was kind-hearted, and he agreed to teach them. He was
impressed with their sincere desire to learn and had not failed to notice that
they were very different from children of their age, that they were truly exceptional.
They almost looked like devas, he thought. He had lost four sons and only his
youngest son alive who was still a child. Santipani and his wife felt that
looking after these two extraordinary children would bring them some solace.
The guru
ritually started their education. He first taught them the script (most
certainly the Odia script!): the alphabet, the markers, the diacritics and
other symbols, compound letters, etc. They mastered these in no time. In fact,
as their teacher was writing the letters and the markers, Krishna and Balarama
learnt them by just looking at them. They needed no practice and the teacher
did not have to teach them anything the second time. Then he taught them
spelling, and again they learnt it as Santipani was teaching them. Teach us
more, the pupils would say, and the teacher was astonished at the speed of
their learning. This must not surprise us for which knowledge needed time for
the avatara to internalize whose consort was the goddess of learning herself!
Then Krishna and
Balarama learnt languages: Odia, Telugu, Nagari, Marathi, languages of the
South, among others – altogether sixty languages, as the poet tells us, and
many scripts. Then they learnt the four Vedas, astronomy and astrology, kama
shastra (science of desire), tantra, yoga, archery, military arts, among many
others, which according to Sarala, numbered many thousands. We need not be
curious about what these were.
One day
Santipani had gone to bathe in the sea and his son, Saudasi, was with him. As
he was bathing, a big wave washed away the child from the beach. The
unfortunate parents had lost four sons before and now they lost their fifth.
The grief-stricken parents decided to go on pilgrimage and at the completion of
it, end their life by sacrificing themselves ritually in the sacred waters at
the holy Prayag. Krishna asked his preceptor why he was so distraught. Life is
an opportunity for those who have done some virtuous act, and the sinners die
early, he told him, so he should not think of ending his life, grieving over
the death of his sons. He said that Balarama and he, being his pupils, were
like his sons, and that he should look upon them as such and enjoy parenthood.
They had a good deal more to learn from him, he told him, so his responsibility
for them was not over yet. In those words Santipani experienced grace flowing
on to him. He had always wondered whether Krishna and Balarama were not
manifestations of Narayana and Shiva. Since his pupils were insisting, Santipani
told his wife that they should postpone their pilgrimage plans and stay home
for some more time. His wife, who was no less fond of those wonderful god-like
children, agreed.
So Krishna and
Balarama studied again, but Sarala does not tell us what they studied since
according to his narrative, the guru had already told them that he had taught
them all he knew. Sarala had nothing to tell really, he knew that the pupils
were pretending. They had simply wanted to comfort Santipani and his wife. The
couple were happy; how could they not be when Krishna and Balarama had taken it
on themselves to make them happy?
Now Krishna knew
that they could not stay there for long. One day Krishna most humbly sought
Santipani and his wife’s permission to leave. The guru told him that once they
left, they would go on pilgrimage, have a ritual bath in the Ganges at
Manikarnika, and then have a darshan of Madhava at Prayag and having done so, consign
themselves to the sacred waters there. That was how they would be able to put
an end to their suffering on account of the death of their sons. Krishna
decided to do his preceptor a favour and give him just whatever he wanted. If
he wanted his sons to return to him from Yama’s loka, he would let it happen.
But he did not tell him anything.
He requested
Santipani to tell him what he wanted from Balarama and him as guru dakshina.
The guru said that he did not want anything from them. Wealth and possessions
had become meaningless to him because he had no child to inherit the same. The
young pupil insisted that he ask for his guru dakshina, because the knowledge they
had obtained from him would be useless if they did not give him dakshina.
Guru dakshina
was the teacher’s fee. That was an important source of the teacher’s livelihood
and the maintenance of his ashram. At the end of his education, when the pupil would
leave, he was duty-bound to request his guru to name his dakshina. The guru might
not always demand his dakshina, but once requested by his pupil, he was obliged
to mention what he wanted, because it was believed that unpaid for education
would not be useful for the pupil. The teacher was obliged to ask the pupil as
his dakshina what was reasonable and was within his capacity to give. If
offering guru dakshina was the pupil’s dharma, asking for proper dakshina In
the above sense was the teacher’s dharma.
When Krishna
insisted, Santipani named his dakshina. He and his wife wanted their five sons
back. The guru needed nothing else. If Krishna and Balarama were not willing to
give that dakshina, then he would happily exempt them from the requirement of
dakshina. Krishna asked him whether being the wise person that he was he
thought it proper and reasonable to ask even for his elder sons who had died
eighty years ago. How could they return alive now after all those years, and
wasn’t he thereby asking for the impossible, he asked him. The guru was unfazed
and unrepentant. If he thought it improper, he must not worry about guru
dakshina and return home with his blessings, he told his shishya. Krishna, who
had decided, as we know, unknown to his preceptor of course, to give him his
sons, assured him that he would not shy away from guru dakshina, and would try
his best. But he wondered how his wise preceptor, after all those days of their
being together, remained unaware of who he really was, and how he did not ask
for moksha, and how badly he was caught in the snares of moha (attachment) for
his sons. He asked Balarama to return home and he proceeded towards the sea
where the guru had lost his youngest son.
He entered the
waters and the god of the waters, Varuna, hurried to welcome him and pay his
obeisance. The avatara, who was completely aware of his Self and of his essence
as Narayana, asked him sternly why he had stolen his guru’s children. Varuna
prayerfully said that it was not his doing, and that it was Yama’s. Under the
spell of the god of life and death of all mortals, they had entered the deep
waters and perished. Only Yama would know their whereabouts, he told him.
Krishna invoked
the mighty Garuda, his vahana (carrier), and immediately went to Yama loka. On
arrival there he blew his conch, Panchayajna, and Yama rushed to welcome him.
His presence redeemed the sinners in that loka who were undergoing Yama’s
punishment. Yama prostrated at his feet, offered him worship, and in great
humility asked him how he had decided to grace him by his visit. In a
reprimanding tone Krishna told him that he had heard about his unjust doings,
about how he took children’s lives, whereas he should be taking the lives of
those who had lived their full time in the mortal world. Children are no
sinners, he told him, so why did he punish them with death, he asked.
We need not be
puzzled about the avatara’s conflicting words. He had told his guru that sinners
would die early and had not exclude childhood as not counting for the
computation of “early” and was now telling god Yama that children are no
sinners – presumably, as we understand, because they have not lived long enough
to commit sins! He said things that would serve his purpose best. From another
point of view, Krishna was unaffected by maya, cosmic illusion, and was beyond dualities. As for
his words, then, what sense would truth and lie make! Only those caught in
maya would interpret things in terms of duality, such as truth and untruth,
To return to
Yama, he was reverential in his response. He did no injustice, he told the
avatara with folded hands. The death of children was not due to their karma in
their present life or even their earlier lives, but to the karma of their parents,
in particular, the sexual wrong doings of their parents, he told him. He
detailed various transgressions of sexual conduct and said that when the
children are born out of such unethical unions, they come to the world with the
destiny of short lives. That was the law, he told him, that humans must abide
by, so he should not be blamed for the death of children. People in their lack
of understanding blamed him, he told Krishna, but he was only going by the law
and doing his assigned role as the dispenser of justice.
Then Yama said
something totally unexpected in the context of their dialogue. He confronted
him. How can one blame the ordinary people when the fully manifest avatara himself
in his unlimited power and arrogance indulged in the wildest, most irresponsible
and unethical sexual union with whosoever he liked?, he asked Krishna. He was
respectful but firm. Didn’t he set a very disturbing example? When the great
leaders of the society engaged themselves in unethical activities, ordinary
people would not only follow their example but would also justify their own
reprehensible conduct, Yama told Krishna.
Given the law, the
logic of the god of justice and of death was impeccable, and his charges just,
but Krishna was unembarrassed and unfazed. If that was the logic of the death
of children, then Yama must consider untainted all the children born out of
union with him. He conceded that he had committed the sin of impermissible
sexual union with others’ women, but at the same time he directed Yama not to view
all these women as violators of the ethical code and his union with them sinful.
Yama could administer justice according to the law elsewhere but must leave his
off springs untouched. Yama bowed to his instruction. “Bada lokanku uttara nahi (there is no answer to the great men,
i.e., the powerful, are above the law)”, as goes the Odia proverb.
Then he asked
him where his five brothers were. They had become his brothers by virtue of
being his guru’s sons, Krishna told Yama. He said that they had been reborn in
the world and were living their life as thieves and robbers. Sarala Dasa was a
great devotee of Bhagavan Krishna. So in his narrative, the cosmic wheel of
events and time had to move backwards to materialize Krishna’s wish. We need
not go into that story here.
As Santipani and
his wife were preparing to sacrifice themselves in the waters at Prayag,
Krishna arrived with their five children and offered them to them. The parents
were extremely happy and very much surprised as well. A little later, when the
euphoria was over and normalcy returned to the guru, he wondered how the
impossible had taken place. He now became absolutely certain about what had
often occurred to him before - that Krishna was Narayana Himself. He felt a
biting sense of regret and sorrow that he had not asked his shishya for release
from the karmic cycle - for moksha. It was too late now; having given his guru
dakshina, the avatara had gone far away on the back of the mighty Garuda. Santipani
must have realized that when the defining moment comes, it is always nara who
fails Narayana, never the other way round.
THE STORY OF EKALAVYA
The forest
dweller Ekalavya was a gifted boy in many respects. One of these was that he
had an intense desire to excel. He was ambitious too. He wanted to excel in
archery and had heard that the great teacher Drona was teaching martial arts to
the Kuru boys at an akhada (training centre) nearby. He wanted to join
the akhada and learn from him.
Thus he went to
meet the celebrated teacher one day and as a gift he took two boars. Those days
brahmins ate meat and there was no prohibition against eating boar meat; in
fact, boar meat was served on special occasions, such as marriages, sraddha
(annual ritual for forefathers), etc. Those days a prospective pupil took some
gift for the teacher, whatever was affordable on his part; one would not go to
the guru empty-handed. In fact, all this was part of the ritual for the
initiation of education.
Drona was happy.
The poet Sarala hasn’t written anything explicitly about it, but we can guess
that he must have been impressed with the boy who was ambitious and highly
motivated to learn – which teacher wouldn’t be when the pupil is so promising!
He told him right away that he accepted him as his pupil. But Duryodhana
objected. Being a low forest-dweller, he could not learn with boys of the royal
household, he emphatically told Drona. The forest dwellers were in any case
outside the cultured society and must remain so, and not aspire to mingle with
the princes and learn what they learn. Yudhisthira did not agree. He did not
invoke any high moral principle here. His consideration was materialistic and his
logic simple: there would always be an advantage in having a forest-dweller in
the akhada, he said. He would bring useful things from the forest: boar,
honey, etc. Arjuna echoed his brother’s view. But Duryodhana’s opposition was
vehement – a forest-dweller simply had no place in their akhada, he told
them all, and in Drona’s presence, he asked Dussasana to take him away and give
him a sound beating. An obedient younger brother, he enthusiastically did what
he was asked to do.
Drona could do nothing,
he did not say a word, and he simply put up with the insult. Neither could the
Pandavas do anything. They were only the children of the former king, who was
dead, leaving behind his wife Kunti who looked after them. Gandhari, the queen,
did not have a comfortable relation with her or even her children. Duryodhana
was the king’s son. And the Pandavas, Kauravas, and Karna were not studying in
Drona’s ashram; he had none. He was the employee of king Dhritarashtra. He knew
the king loved Duryodhan too much for anyone’s good. He couldn’t risk the
king’s displeasure and invite trouble for himself and his son Aswasthama, the
motherless child (the mother, Krupi, having died of childbirth, in Sarala’s
version, when Aswasthama was born) whom he loved very much.
Ekalavya felt
humiliated and miserable, but he was not the one to give up. He was not merely
highly motivated and focused; he was very intelligent and enterprising too. He
made a small tunnel like opening in the forest through which from his end he
could watch the body movements of Drona at the other end, as the celebrated
guru taught archery to his pupils. He observed them intently and intelligently,
and practised them. His wife disliked these activities of her husband and
scolded him often for wasting so much time and effort on things entirely
unnecessary. A forest dweller didn’t have to achieve such skill and expertise
of archery, she would tell him. She didn’t think anything good would come of
all this and said it to him in no unclear terms. Besides, a learner needed a
guru, she would tell him, and would challenge him asking who his guru was.
Ekalavya saw sense in what she said, so he made a murti (an image) of
Drona in clay, seated him at an elevated place in his akhada and put a
garland round his neck. That was his puja (worship) of his guru. With that he ritually
formalized his relationship with Drona and continued learning archery from a
distance as before. But in Drona’s training centre he was completely forgotten;
no one talked about him after he was thrown out.
Some years
passed. One day Drona asked his pupils to get a boar from the forest in
connection with the observation of the annual sraddha ritual his
deceased wife, Krupi. A boar was not to be found easily. Karna and Bhima had
gone to the forest together in one direction, and in a few days did manage to
get one, but the Kauravas had gone deeper into the forest in another direction
and had not returned. They didn’t find a boar, but came across a lake, the waters
of which were clean and pure. Then they saw a beautiful young woman, a
forest-dweller, walking towards to the lake. They hid behind the trees and
watched her as she undressed, bathed in the lake, put on her clothes, collected
water in her pitcher and started walking back homeward with unhurried grace.
Dussasana marvelled at her beauty and natural elegance. He rushed out of his
hiding and grabbed her. This was one doing, in Sarala Mahabharata, of
Dussasana that he had done at his elder brother’s behest. She was fit for a
king alone, he told her; she could not live in a forest and be owned by a
forest dweller, he barked. This is the familiar way the powerful view the
world: the world is there for their pleasure. Princes, pampered by their doting
parents, firmly believed that everything in their kingdom, including humans, was
their personal property and they could enjoy the same as and when they pleased,
and in the manner they liked. The poor, harassed woman was shocked and scared
and shouted for her husband to rush to her help.
Her husband came
running with a crude bow and arrows. He charged out against the molester.
Dussasana said that the ugly and crude forest dweller that he was, he had no
right to have such a beautiful woman. He must be killed and his wife must be
taken away for the princes’ pleasure, he said. The forest-dweller was angry and
attacked him with his arrows. The ninety nine brothers of Dussasana joined him,
but they were no match for him. In no time he killed them all.
Twelve days
passed and the Kauravas did not return. Drona was worried. He started out with
Karna, Bhima and Arjuna to look for them. They found them dead. Drona was
surprised. Who could have killed them all, he wondered. It occurred to him that
only a pupil of his alone had the skill and the knowledge involved in the killing.
But there was no such pupil of his. The Kuru boys were his first pupils. Any
way, he kept such thoughts to himself.
Meanwhile Arjuna
had gone looking for his cousins’ killer. Seeing him, the forest-dweller came
out of his hut menacingly, angry and agitated, muttering things that were
neither clear nor intelligible, and soon Arjuna and he were engaged in a
terrible fight. Arrows in hundreds swished past. None was yielding, they were
equals. Hearing the swish of the arrows Drona came and saw his pupil Arjuna and
a stranger engaged in a fierce fight. He was amazed at the latter’s archery; he
knew that his pupil alone was capable of such feat, but he had never taught the
stranger. He never knew him. So how was it possible?
He shouted for them
to stop fighting. The fighting stopped. The guru went to the stranger and asked
him who he was and who his teacher of archery was. He said that he was Ekalavya
and his teacher was Drona. Drona remembered things now, how he had gone to his akhada
to learn archery from him and how he was humiliated, beaten up and thrown out.
He told him that he himself was Drona, but how could he be his teacher when he
did not teach him, he asked. Ekalavya prostrated at his feet and told him how
he had learnt from him. Because of that he considered himself as his pupil.
Drona was very pleased with his accomplishment (which guru would not be!) and very
affectionately seated him next to him. He then asked him about the Kaurava
brothers. Ekalavya recounted how they were trying to molest his wife and how he
had to fight them to protect her. They were all dead, he told his guru. Drona
said that he now wanted to give him a test: he must give back life to the dead
Kauravas. Ekalavya at once invoked the life-giving sanjeevani mantra and
empowered an arrow with it and shot it at the hundred dead. In an instant they all
came back to life.
Duryodhana was
very upset. He complained to Drona that they learnt archery from him, the one who
was Parshurama’s student and was beyond comparison, and yet, they were defeated
so easily by a mere forest-dweller.
Drona told him that Ekalavya was his pupil too, and that they all should
treat him as their guru bhai (brother by virtue of having the same
teacher). These words comforted the eldest Kaurava prince. Had he reconciled himself
to that new bond between the forest dweller and him which he knew was
completely beyond him to destroy? This must have been the case; Sarala says
nothing explicitly and leaves it to his audience’s imagination.
It was time to take
leave. Drona told Ekalavya that he was abandoning the training centre in the
forest and going to Hastinapura where he would open a training centre. He
blessed him that he would be without an equal in archery and that he would be
defeated by none. An immensely happy and grateful Ekalavya fell at his feet,
and requested him to ask for his guru dakshina (the teacher’s fee). When the
guru said that he was no more going to use the training centre in the forest to
teach military arts, Ekalavya knew that his own learning from him had come to
an end. And Ekalavya knew that end of one’s education was the time for the
shishya (pupil) to offer dakshina to his guru, whether he wanted it or not.
Drona said he
would tell him what he wanted as dakshina only if he took an oath to the effect
that whatever he asked from him, he would give. He would willingly give his
head, if he wanted it, said Ekalavya. Everyone who knows the story knows what
he asked for and how Ekalavya did not fail him. Having offered him his
dakshina, Ekalavya told him that he asked him for his right thumb because he
was afraid for the Kauravas but in the process had injured him permanently. Ekalavya
then told him that he had not forgotten what had happened in the akhada and
what humiliation he had undergone. He had not forgotten that Duryodhana was the
one who had deprived him of the opportunity to be the celebrated teacher’s pupil,
neither had he forgotten that someone called Yudhisthira had tried to intercede
on his behalf. He had not forgotten too that he had been beaten up at the
behest of Duryodhana. He told the guru that since those days he had nursed a
grouse against Duryodhana and would have destroyed his entire clan one day. He,
the kind-hearted guru that he was, had now gone to the extent of disabling him,
his pupil, in order to protect him.
It was not
Ekalavya alone from whom guru Drona had asked for a difficult dakshina. The
dakshina he asked from the Kauravas and the Pandavas was to bring king Drupad a
prisoner to him. It was obviously no mean task. It meant war not just with an
individual named Drupad, in the form of say, a single combat, but with the armed
might of the kingdom of Pancala as well. The guru dakshina convention required
the shishya to fulfil the guru’s wish on his own effort. So his shishyas were
expected to defeat Drupada without the support of the kingdom of Hastinapura.
They could meet death while fighting Drupad and his army. The Kauravas failed,
but the guru was not displeased. He happily exempted them from guru dakshina.
The Pandavas brought Drupad a prisoner to Drona’s presence and gave him their
dakshina. What he asked Karna, who was not a Kaurava but neither a Pandava, and
later Shikhandi and Dhristadyumna, Drupad’s sons, for guru dakshina, we do not
know. Sarala hasn’t told us.
As the guru took
leave, he told Ekalavya that from then on he must learn to shoot his arrows
with the remaining four fingers and he must do so without any wrist band or
some such support. Having disabled him, he blessed him that he became a great
archer and that he remained undefeated. He great shishya did become a superb
archer and did remain undefeated, but we need not tell those stories here.
Saturday, January 19, 2013
FOR KIND ATTENTION
My book " Introducing Saaralaa Mahaabhaarata" has just been published. The publisher is: Central Institute of Indian Languages, Manasagangotri, Mysore (Pin: 570006), India. It presents a number of important episodes from Sarala's Mahabharata and interpretes them in the spirit of the text.
Saturday, July 21, 2012
THE GITA IN THE MAHABHARATA
At last the defining moment for
Arjuna arrived. He picked up gandiva, his divine bow and pulled its string, and
Krishna returned to the chariot driver’s seat and blew his conch, pancajanya.
Together they produced a sound that sent shivers down the enemies’ spine. Soon
the war started and as the war drums rolled and the elephants trumpeted and the
horses neighed, and from all around arose the terrifying death cry of the
humans and the animals, and the loud and painful wailings of those who had
fallen mortally wounded in the battlefields of that dharma yuddha, which was to
solve problem of inheritance of the kingdom of Hastinapura, Bhagavan Krishna’s
discourse to Arjuna about the immorality of atma, and the incorrectness of the
familiar beliefs and perceptions about death and the agency of the killer, etc. faded
into oblivion in Arjuna’s mind. Krishna knew it. Was he disappointed? Who
knows! But then we, amrutasya putrah,
the children of immortality, like the blind old king Dhritarastra, so highly
privileged as to have been able to hear his discourse and see in our mind’s eye
his Universal Form through Sanjaya’s narration, cannot understand what sense disappointment
or delight would make in the context of Krishna. In any case, once Arjuna
lifted his gandiva, Bhagavat Gita disappeared from the sage-poet’s narrative. It
is as though the Sacred Words freed themselves from their context and soared
into an autonomous existence, leaving the narrative to deal with the macabre
happenings in the battlefields and the mundaneness of the Kuru clan. Or is it
the case that those Words of God were de-contextualized (do not ask what that
context was, who knows for certain!) and re-contextualized in the Mahabharata?
Arjuna would not fight his
grandfather Bhishma to his fullest potential. Bhishma could not be killed of
course, unless he wished to be killed, but he could be disabled, wounded to the
extent he would be incapable of fighting, but Arjuna seemed unwilling to hurt
his grandfather. Krishna was so disgusted and upset with Arjuna’s attitude one
day that he forgot his role in the war and his promise too to his elder brother
Balarama and picked up a wooden wheel from the battlefield and rushed to attack
Bhishma. He was calmed when Arjuna promised him that he would fight Bhishma
with all his might. Arjuna was terribly upset when Dhristadyumna, the
commander-in-chief of the Pandava army, decapitated his preceptor Drona in a
totally unethical and cowardly manner and he wanted to avenge the killing. He
had to be pacified. He had forgotten about death being a mere change of
clothes. He had forgotten that he was not the agent, was only a nimmita, a
proxy, to do what had already been done - Bhishma, Drona, Karna, Jayadratha had
already been killed. He had forgotten that he had seen it all in the Universal
Form of Krishna.
Arjuna lost self-control
completely when he came to know about the death of Abhimanyu. The loss of his
son was too overwhelming for the father. He reacted by pronouncing an oath – a
terrible oath: either he killed his son’s killer by sunset the following day if
the latter was still on the battlefield or he would consign himself to fire. He
wanted revenge but only he can think in such terms who considers himself as the doer and as the victim
of the doings of another person.
This time Krishna did not calm
Arjuna through sagacious advice, as he had done earlier. The two situations were
not the same: death of one’s own was a spectre then, but a reality now; now he
was face to face with the death of his “very own”, not just his “own”. The
depressing vision of death that had crossed his mind then did not seem to
include the death of Abhimanyu. So did Krishna think it would be pointless to
offer Arjuna sage counsel? Did he think that the son’s dead body lying in front
of the father waiting to be cremated eliminated all possibilities of wise
words, even from him, who was his sakha (close friend)? Or had he, the guru of
gurus, just given up on Arjuna, his shisya (student)? Or did he think that his
purpose was served when the war started and now he had no need to intervene? Who
can fathom out Krishna! In any case, as for his intervening now, intervene he
did of course but in a different way; on the following day Arjuna was saved
from the fire by divine intervention rather than Krishna, the person, but there
is no essential difference - it’s just another way of saying the same thing. That
story we set aside here.
According to the Gita, the
purpose of the avatara is to restore dharma on earth. This he does by destroying
those inimical to dharma and empowering the virtuous. Sometimes it amounted
to the killing of a wicked and adharmik ruler and enthroning in his place a
virtuous one who could be the protector of dharma and the practitioners of it. The
avataras of Gita Govinda (setting aside the controversial case of The Buddha,
who is the ninth avatara in this composition) have done precisely this, with
the exception of Parshuram, who destroyed the evil doers but did not provide a
substitute in the form of virtuous rulers or a just system. Now, Krishna, who
demonstrated to Arjuna that he was the Whole and a part thereof, did a great
deal more. By persuading Arjuna to fight, he did essentially what the other
avataras had done. But his discourse, known as Bhagavad Gita or just Gita went far beyond this limited
objective.
The Gita has transformational
objectives. At one level, it calls upon one to understand oneself, understand
the world, realize the nature of atma who dwells in the body but is not part of
it, understand the human condition of being caught in the inexorable karmic cycle
and the way out of it – the way to moksa, among so much else. At another level,
it calls upon one to free oneself from ignorance, avidya, that clouds
one’s understanding of things and be spiritually transformed, because the
person who would be most suited to be the instrument of change in the world
would not merely be virtuous, but be wise also in the above sense. It is as though Krishna
had felt that the problem of the burden of Mother Earth on account of the vicious
grip of adharma could not be solved by what the avataras had done so far.
Changing the ruler could be at best a temporary measure. Probably the avatari
(the One who assumes an avatara) was tired of descending again and again. So He
pronounced the permanent solution: man must attain self-knowledge and with the clarity
of vision that comes from it, deal with the world.
In changing man the avatara did
not succeed. Nothing changed. Forget
about the war. After the war, Yudhisthira became the king. But that mother of
all wars had not put an end to wars. Yudhisthira decided to perform aswamedha
yajna. Whatever his objectives, how very laudable, nothing altered the
perception about it, namely that it was a way for the emperor to demonstrate his
power and supremacy. The rulers saw it as a challenge to them; it engendered
bitterness and invited resistance, which some of them did offer in the only terms possible in that situation:
bloodshed, which included bloodshed of the innocents in the battlefield. Those who challenged
Yudhisthira’s authority lost, but doesn’t in the defeat and the humiliation of
a kingdom lie hidden the possibility of a retaliatory war some day?
As though the Sacred Words were
never pronounced! All Mother Earth could prayerfully look forward to in this
situation was yet another descent of Vishnu.
Wednesday, June 6, 2012
ARJUNA'S PROBLEM IN VYASA MAHABHARATA AND SARALA MAHABHARATA
Arjuna’s problem in Vyasa
Mahabharata is too well-known to recount here: somewhat roughly and in brief, he
would not kill his grandfather, other Kuru elders, preceptors, cousins and
relatives, although they stood facing him in the Kurukshetra battlefield as his
enemy, and if they wanted to kill him, he would not even resist and would
happily get killed. He considered raising arms against one’s very own as an act
of adharma. Besides, with the destruction of a family, family values and
culture would also be destroyed. He was sure that he had nothing to gain in
that war and everything to lose. He would not fight, he told Krishna.
Sarala’s Arjuna had a different
problem. He had no qualms about killing his enemies in the battlefield, whoever
they were, but he would not start the war. He would not shoot the first arrow.
Starting a war was a terrible sin because many innocents would get killed, who
would be fighting someone else’s war. If he was attacked, he would fight
because then he would not have to carry the sin of starting the war. This was
what he told Krishna.
In Vyasa Mahabharata Krishna tried
to make Arjuna see reason, which is what Srimad Bhagavat Gita is all about, as
far as the Mahabharata story is concerned. He was being merely sentimental, Krishna
told the despondent warrior. He told him about the illusory nature of death, and
about the senselessness of grieving over the dead on that account. He wanted
him to realize the consequences of his action at a personal level. He had got the
rare opportunity to fight in that dharma yuddha, righteous war, and it would be
unwise for him to withdraw from it, he said. Besides, whether he won or
perished, he would be a winner: he would enjoy the pleasures of the world as a
victor or the pleasures of the other world if he perished. But if he withdrew,
he would be mocked at as a coward during his life and after death.
It is unclear why at this stage Arjuna was not
asked to consider certain other matters that arose out of his stand. Getting
killed by the enemy without harming them might be acceptable to him, but was it
acceptable to him that his brothers, relatives, friends and all those others
who had come to fight for the Pandavas got destroyed as a consequence of his
stand? If killing one’s kin was wrong, was pushing one’s brothers and sons and
relatives to death was right? Did he really believe that even without him the Pandavas
would win the war? Was he so naive? One would rather think that he knew that without him the
Pandavas had just no chance of winning. He was not only a great archer, the
greatest according to Bhishma and Drona and many others; he had with him the
most destructive of divine weapons - he was the only one among the warriors
assembled there who had Shiva’s all-destructive pasupata astra. Besides, no one else in
the Pandava army had divine weapons, whereas in the Kaurava army ,Bhishma,
Drona, Karna and Aswasthama certainly had. Bhishma might have decided not to
kill the Pandavas (incidentally, not in Sarala's Mahabharata), but others had no
such inhibitions, and the grandfather had not vowed to protect them from the
warriors of the Kaurava army!
Arjuna was aware that Krishna was not wrong. If he withdrew
from the war, some would call him a coward - purely out of malice. But he believed
that many including the wise and venerable Bhishma, Drona, Bhurishrava, Karna,
and a host of others would not think so of him; they had known him too well for
that. They would not call him a coward who had single-handedly defeated them
all just a few months ago in the battlefield of the kingdom of Virata. But they
would be shocked and bewildered. Along with everyone else, Arjuna had been
preparing for this war ever since Krishna had returned from Duryodhana
empty-handed. Arjuna had never said a word by way of protest against the war. They
would be inclined to think of him as sentimental, immature and extremely
irresponsible. But would these have been less humiliating and more comforting for
him than being called a coward, one would wonder.
Coward or not, everyone would have thought of
him as a deserter at one level and a betrayer of trust at a more personal
level. As a kshatriya ("belonging to the warrior caste") it was his duty to fight for those whose war it was not, and yet had assembled to
fight for him, not abandon them right on the battlefield. His decision to
withdraw from fighting was actually an act of self-indulgence and selfishness, and
it showed that he was completely insensitive to his “own others”. Krishna
must have wanted him to understand that his selfishness and thoughtlessness in that
particular situation could lead to terribly consequences for them all, who had joined the Pandavas' side because their cause was just.
The Pandavas firmly believed that
they were fighting for a just cause. Duryodhana had become the crown prince
under wrong assumptions about them (that they had perished in the lac palace
fire) , but when the truth was known, no one in the Kaurava court said that if
the past could not be undone, the Pandavas could not be ignored either,
therefore they must be compensated in some way. As for the Pandavas, for the
cause of peace, they asked for just five villages, not half of the kingdom
which they believed was their due. But even that was refused. Yudhisthira, like
most – sages, Kaurava elders, Drona, etc. among them - had no doubt that the
Kauravas were entirely unfair to the Pandavas. He called the war a “just war”
out of conviction. As already said, all those who had joined the Pandavas’ side believed that
they had joined the virtuous in that just war. Arjuna’s withdrawal would amount
to his abandoning the fighters who were fighting in a just war. That would certainly
not be morally right. Now if a kshatriya did not fight for the honest and the
morally upright, and for those who were denied their due, he would be failing
in his caste-duties. As he was explaining his unwillingness to fight, Arjuna
told Krishna that he was not sure whose victory would be a better outcome of
the war: their own or the Kauravas’. Surprisingly, he was not advised that the
war was not just between the Pandavas and the Kauravas, it was also between
those who followed dharma and those who did not, and that in that situation there
must be no doubt in his mind about what would constitute the desirable outcome.
And as for the loss of the family
values and culture, one wonders why Arjuna was not advised that he had undue
anxieties. One branch of the family was going to fight against another; so there
was no fear of the culture and the traditions of the family perishing
irrespective of whoever won. But even in the extremely unlikely event of both
the Kauravas and the Pandavas being destroyed by the divine weapons of both
sides, there was little room for anxiety. If a great family dies, its
traditions and values do not really die, they live in other forms: those of tales and
legends, for example. And all said, aren’t the values of a family mere expressions
of a deeper set of beliefs, values and practices, common to an entire culture,
and at a still deeper level, to humankind as well?
About the problem of widows that
eventually brings about the moral collapse of a society, Arjuna’s apprehensions
were again rather exaggerated. This problem was not unknown to that society; in
all likelihood it had arisen when Bhagawan Parshurama destroyed the kshyatriyas
many times over. In order to deal with the problem of the widows, the society
had created the niyoga system, which was still prevalent in Arjuna’s time. If things
went terribly wrong, the society would again find some solution. One did not
have to get unduly exercised about it.
Moral issues as mentioned above,
which are rather straightforward and obvious, but by no means trivial, and
which do not demand understanding things at a profound supra-mental level, were
somehow not raised in the Gita to
persuade a despondent Arjuna to fight. One would think that if they had been,
it would probably not have been necessary to go beyond the familiar, the
rational (in the sense of “not supra-rational”) and the normal, and that the
discourse went, rather too early, to a far deeper and a highly profound
philosophical and metaphysical level to deal with Arjuna’s attitude. One gets
the impression that although anchored in Arjuna’s problem, the Gita discourse
was not really targeted to it specifically; it was concerned with, at one
level, many general issues concerning the human condition, and at another,
articulating a mode of one’s inner spiritual growth leading to one’s mokshya in
one terminology. Now, for a pure story
teller, his interest in the Gita is to the extent it takes the story forward elegantly;
he would tend to avoid whatever would conspicuously arrest its flow or affect
the smoothness of it.
Arjuna’s witnessing the Universal
Form of Krishna forms an important part of the Gita. He could see this Form
with the help of Krishna himself; he gave him the special power of vision for
the purpose. One might consider this
episode as part of a long argument to persuade Arjuna to fight. From this point
of view, there is something in it that is of special interest, namely what he
saw in the Universal Form. He saw the death of warriors from both the Kaurava and
the Pandava sides - he saw the time past and the time future as indistinguishable.
In that Ultimate Form he saw Drona, Bhishma, Jayadratha and Karna, among
others, already dead. They could be identified among the Kaurava warriors, so
they were named. But none from the Pandava side was named; Arjuna did not see
Abhimanyu, Ghatotkacha and Draupadi’s five sons among the multitude of the
Pandava warriors who had perished too. Now, it cannot be said that his
knowledge that those Kaurava warriors were already dead influenced Arjuna in a
perceptible way. But one would never be sure how he would have been affected,
or affected at all, had he seen Abhimanyu dead. This scepticism arises because after
all, Arjuna was an ordinary mortal in terms of spiritual growth; he was not a
seer like the sages of the Upanishads or the Sanata Kumars.
Why Arjuna did not see what he surely did not want to see is a question that need not detain us here. Does it have anything to do with the fact that, unlike in Yasoda’s case, Krishna showed that Form to him because he wanted to see It? In any case, who can see the Whole as whole! He saw what Krishna gave him the power to see. And wasn’t Krishna trying to persuade him to fight!
Now Sarala, the story teller must
have felt it more manageable to alter Arjuna’s problem, and tell the story from
that perspective. In his narrative, Arjuna’s problem was intensely moral, but
did not invite any profound discourse or supra-human experience of Reality. Arjuna
did not need any advice. He simply had to wait. When two armies stood face to
face, something or the other would happen, someone or the other would lose
patience and shoot an arrow or hit one with a mace. And that would solve his
problem. This is precisely what happened, as we have seen in an earlier post in
this blog.
Snana Purnima, 2012Friday, March 9, 2012
BAABARAPURI
In Udyoga Parva of Saaralaa Mahaabhaarata Krishna tells the story of the kingdom of Babarapuri. Your kingdom is like baabarapuri, he told king Duryodhana in his court, when he went there as Yushisthira’s emissary to explore the possibility of avoiding war. He was only pretending to do so, but that’s another story.
Bhishma had not heard of such a place, and in all humility requested him to tell the assembly some details about it. In western Saurashtra (it is futile to try to locate it somewhere today), Krishna said, there was a country called Kurala, and the city of Babarapuri was its capital. The name of its king was Bhandeswara (literally, the lord of the cheats), and his minister’s name was Baibhanda (mad person). The deity worshipped there was naked, with wild, untied hair, and everyone in that city, both men and women, moved almost naked. The only clothes they wore were some headwear. They studied what one might call “anti-shastras”, which dealt with unethical modes of living. They valued lies, rewarded those who told lies, and killed those who spoke the truth. They also rewarded those who spoke uncouth and vulgar language.
The king was simple minded; the subjects had no respect for him and would maintain no distance from him, violating the traditional norms of conduct. The city had no enemies. People were prosperous, but no one paid any taxes to the king. They lived in wanton lavishness, spending whatever they earned. There was no sexual discipline; men and women indulged in sex whenever and wherever they liked. They had no inhibitions; any man could choose to have any woman, without regard for even blood relationships. Once a man used a woman, he left her; there was no enduring relationship between a man and a woman in that city.
Then one day a strange fear enveloped the city: it was the fear of kokuaa. Everyone talked about him, as though they had seen it, but no one really had. But people spread rumours about it; if one said it had several eyes, another said it swallowed whatever it saw. Still another said it was so huge that it covered the entire sky. In no time the talk about kokuaa became the truth about it. People stopped going out. They would stay indoors long before it was dark, and would not venture out for quite some time after the day break. Parents often frightened their children with the mention of kokuaa. There was a vicious atmosphere of tension all around. But there are limits to how much tension a system can absorb. One day fight broke out among the inhabitants of the city, and many died. Then natural calamities visited the city, and they took their toll of life. The city was completely destroyed. There was no attack from any enemy. “Listen, O son of Ganga,” said Krishna, “Duryodhana’s kingdom will be similarly destroyed”.
Trying to make sense of baabarapuri, one might begin asking what kind of place name it is. It is an odd name, an inelegant combination of the “native” sounding name baabara and the tatsama classifier puri. It sounds very uncomplimentary, bringing to mind the tatsama word barbara, meaning uncivilized and uncultured, and expresses a very negative view of the kind of life the inhabitants of the city lived. Naming a place is giving an identity, in linguistic terms, to some space set apart from undifferentiated space. A place is given a name, or a name different from the one it already had, sometimes by insiders, and sometimes by outsiders. Sometimes for a particular place name, it is not easy to figure out who gave it - the insider or the outsider.
Place names are like proverbs. It is futile to try to find the origin of a proverb. It is possible that the ancestral version of a certain proverb was quite different from its present form, and it is quite plausible that it underwent various refinements in course of time. One could vainly search for its author; one would never know for certain whether it had a single author or a group of authors. It is more or less the same with place names.
In all probability, the name was given to the city by the arrogant outsider, who considered degenerate the social, economic, cultural and political life in the city. It is by no means undesirable if the ruler and the ruled did not maintain distance between them. It is no disaster if everyone from the ruler to the ruled earned their own livelihood, and the citizens did not have to pay tax to the king. For whatever reason if the city did not attract aggressors, it does not invite negative evaluation. The city perished, and the way it did was terrible. But it is unreasonable, arrogant and insensitive to suggest so unambiguously that it deserved such an end because they disrespected tradition.
One might argue that the name was given by the inhabitants of the city themselves, who were not unaware of the negative connotations of baabarapuri. They were aware of the contemptuous attitude of the outsiders to their culture, and they had made a statement by giving their own city such a name. It was thus an affront to their detractors.
May be, it was Krishna himself who gave the city its name (wasn’t he an outsider?), but did not own that act. Like so many things he did or caused to happen in Sarala’s narrative, but the world never knew he was the doer or the cause. He used the episode to issue a warning, a threat. Surely some in that august assembly knew it was nothing short of a prediction - they knew it was Krishna’s wish. Krishna had used baabarapuri as an analogy for Duryodhana’s kingdom. It is not clear how it was an appropriate comparison, except on one count – like baabarapuri, it did not face any threat from outside. But let us not forget Sarala’s Krishna went to Duryodhana to make sure war took place. And this was the kind of discourse that was entirely appropriate for the fulfillment of his objective.
Bhishma had not heard of such a place, and in all humility requested him to tell the assembly some details about it. In western Saurashtra (it is futile to try to locate it somewhere today), Krishna said, there was a country called Kurala, and the city of Babarapuri was its capital. The name of its king was Bhandeswara (literally, the lord of the cheats), and his minister’s name was Baibhanda (mad person). The deity worshipped there was naked, with wild, untied hair, and everyone in that city, both men and women, moved almost naked. The only clothes they wore were some headwear. They studied what one might call “anti-shastras”, which dealt with unethical modes of living. They valued lies, rewarded those who told lies, and killed those who spoke the truth. They also rewarded those who spoke uncouth and vulgar language.
The king was simple minded; the subjects had no respect for him and would maintain no distance from him, violating the traditional norms of conduct. The city had no enemies. People were prosperous, but no one paid any taxes to the king. They lived in wanton lavishness, spending whatever they earned. There was no sexual discipline; men and women indulged in sex whenever and wherever they liked. They had no inhibitions; any man could choose to have any woman, without regard for even blood relationships. Once a man used a woman, he left her; there was no enduring relationship between a man and a woman in that city.
Then one day a strange fear enveloped the city: it was the fear of kokuaa. Everyone talked about him, as though they had seen it, but no one really had. But people spread rumours about it; if one said it had several eyes, another said it swallowed whatever it saw. Still another said it was so huge that it covered the entire sky. In no time the talk about kokuaa became the truth about it. People stopped going out. They would stay indoors long before it was dark, and would not venture out for quite some time after the day break. Parents often frightened their children with the mention of kokuaa. There was a vicious atmosphere of tension all around. But there are limits to how much tension a system can absorb. One day fight broke out among the inhabitants of the city, and many died. Then natural calamities visited the city, and they took their toll of life. The city was completely destroyed. There was no attack from any enemy. “Listen, O son of Ganga,” said Krishna, “Duryodhana’s kingdom will be similarly destroyed”.
Trying to make sense of baabarapuri, one might begin asking what kind of place name it is. It is an odd name, an inelegant combination of the “native” sounding name baabara and the tatsama classifier puri. It sounds very uncomplimentary, bringing to mind the tatsama word barbara, meaning uncivilized and uncultured, and expresses a very negative view of the kind of life the inhabitants of the city lived. Naming a place is giving an identity, in linguistic terms, to some space set apart from undifferentiated space. A place is given a name, or a name different from the one it already had, sometimes by insiders, and sometimes by outsiders. Sometimes for a particular place name, it is not easy to figure out who gave it - the insider or the outsider.
Place names are like proverbs. It is futile to try to find the origin of a proverb. It is possible that the ancestral version of a certain proverb was quite different from its present form, and it is quite plausible that it underwent various refinements in course of time. One could vainly search for its author; one would never know for certain whether it had a single author or a group of authors. It is more or less the same with place names.
In all probability, the name was given to the city by the arrogant outsider, who considered degenerate the social, economic, cultural and political life in the city. It is by no means undesirable if the ruler and the ruled did not maintain distance between them. It is no disaster if everyone from the ruler to the ruled earned their own livelihood, and the citizens did not have to pay tax to the king. For whatever reason if the city did not attract aggressors, it does not invite negative evaluation. The city perished, and the way it did was terrible. But it is unreasonable, arrogant and insensitive to suggest so unambiguously that it deserved such an end because they disrespected tradition.
One might argue that the name was given by the inhabitants of the city themselves, who were not unaware of the negative connotations of baabarapuri. They were aware of the contemptuous attitude of the outsiders to their culture, and they had made a statement by giving their own city such a name. It was thus an affront to their detractors.
May be, it was Krishna himself who gave the city its name (wasn’t he an outsider?), but did not own that act. Like so many things he did or caused to happen in Sarala’s narrative, but the world never knew he was the doer or the cause. He used the episode to issue a warning, a threat. Surely some in that august assembly knew it was nothing short of a prediction - they knew it was Krishna’s wish. Krishna had used baabarapuri as an analogy for Duryodhana’s kingdom. It is not clear how it was an appropriate comparison, except on one count – like baabarapuri, it did not face any threat from outside. But let us not forget Sarala’s Krishna went to Duryodhana to make sure war took place. And this was the kind of discourse that was entirely appropriate for the fulfillment of his objective.
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