BHIMA AND KRISHNA: A RELOOK

 

Different from each other in a hundred ways, Bhima and Krishna share one personality trait in Sarala Mahabharata, which is a remarkably  creative retelling in Odia, in the fifteenth century, of Vyasa Mahabharata. It is this: neither can be contented.

In different respects, though!

 

Insatiable, says the poet Sarala, was Bhima’s hunger for a fight, for food, for sleep and for sex. He was simple and guileless, and pronouncedly sensuous. Wild, full of superhuman energy, and lacking in patience, this son of god Pavana (Wind) would, often thoughtlessly, jump into a fight. If he was fighting, he loved to feel his adversary’s blood in his hands. Unlike Arjuna, he hated his adversary, once he got into fighting . Think of what he did to Kichaka for coveting Draupadi – he killed him with such violence that Kichaka’s body looked like a lump of flesh! The brutal way he killed Dussasana was certainly not required by the oath he had taken in the Kaurava court to kill him. 

Now, killing the enemy from a distance with an arrow was not for him. But archery was rated most highly in the world of Sarala Mahabharata, in fact in all versions, in any language, of the ancient story of the Pandavas and the Kauravas. Bhima’s mother knew that he would never be adept at archery because he lacked intelligence and concentration. He proved her eminently right. The preceptor Drona once set up an archery test for his pupils. One, lacking in concentration and focus, would not be able to hit the target and the archer had to do it in his first attempt; there would not be a second chance for him. Bhima failed miserably. He could be easily provoked and once provoked, he lost his sense of discrimination. Once, when his mother Kunti showered abuses on Krishna in the language most foul, he could not stand the words and raised his mace to hit her. Krishna’s intervention saved Kunti. Later, in a fit of rage, he slapped the severed, living head of Belalasena, his son, to his death because he did not support his claim he made in front of his brothers, Kunti, Draupadi, Subhadra and Krishna that he was sole architect of the Pandavas’ victory in the Kurukshetra War. For Bhima, it was an act of betrayal of him by his son and he hit him hard. It was another matter that whereas Bhima stood disgraced, Krishna gave his son moksha (liberation – from the karmic cycle, the cycle of life and death). Violence was ingrained in Bhima’s nature; in fact, it defined him best. On this account, both his mother and his elder brother, Yudhisthira, the embodiment of dharma, considered him dusta (wicked) and sometimes scolded him, calling him dusta.

His craving for food was well known. To just give one example, when his mother sent him to the asura (demon), Baka, with a huge amount of tasty food of many varieties that the villagers had cooked for the asura, he was secretly happy. In the forest he had eaten roots and fruits for too long. He was longing for cooked food. He was already gulping the food when the asura came. The demon showered blows on him, but he kept eating unaffected by the asura’s blows and abuses, and dealt with him only after he had consumed the entire food. What happened to Baka is not difficult to guess.

As for his sexual conduct, from one point of view it was above reproach since not even once in the narrative, did he cast a lustful look at a woman who was not his wedded wife. His hunger for sex was with respect to Draupadi alone. He had wild sex with his first wife, the asuri woman (demoness), Hidimbaki, but he lived with her only for a short time. But one could say that what would count as wild in the case of a human, would be natural in the case of a demoness. As for Draupadi, he could never have enough of her. She found his craving for sex with her unacceptable and his love-making difficult to cope with. She had to complain to her other husbands and they worked out a moral code of living with her. As for his sleeping habit, Sarala says nothing. A reader of Sarala Mahabharata would have hardly associated long sleep with him, had Sarala not said in so many words that he could never have sleep up to his satisfaction. There are no episodes in Sarala Mahabharata that bring out Bhima’s craving for sleep.

This rare lapse in narration may be because Sarala’s concern was not really Bhima in his narrative. He wasn’t interpreting him for his audience across centuries. It was Krishna, who he was concerned with;  he was sharing his understanding of the Avatara with them. To understand the Avatara and the nature of divine intervention in the affairs of the mortals was Sarala’s real purpose. Bhima’s story provided a contrast and in a way served the balancing function in this discourse on Bhima and Krishna.

 To turn to Krishna now. Warning Duryodhana about Krishna’s nature, said Sakuni to him: “danena atriputi je manena atriputi / bhagate atriputi je jnanena atriputi (not content with (ritual) giving, not content with honour / not content with devotion, not content with deep wisdom or transcendental knowledge)” – one cannot satisfy him with gifts, honour, devotion or knowledge. However much one gives him these things, it would always be inadequate.  

Krishna had gone to the Kaurava court as Yudhisthira’s emissary. There he told king Duryodhana that in order to avoid war with him, all the Pandavas wanted was just five villages. Duryodhana flatly refused. He wouldn’t give anything to the Pandavas, he said. Born of the gods, they did not belong to the Kuru family and being thus outsiders to the family, they had no right to the kingdom. Later, outside the court, in private, Bhishma told him in that it would not be right to send Krishna empty-handed; so, he should give two, if not five, villages to the Pandavas. Duryodhana relented and was willing to go by Bhishma’s advice.

This was where Sakuni said about Krishna’s nature as mentioned above. As for Bhishma, for Sakuni too, giving the Pandavas was actually giving Krishna. Duryodhana must not give Krishna anything in order to please him. He simply could not be pleased (danena atriputi). He told him about king Bali. Appearing as a dwarf at the jajna (fire sacrifice) king Bali was performing, Narayana told the great asura king that he came from a very poor family and asked him for a small piece of land in which he would perform his religious rituals - all the land he required was whatever would be covered by three steps of his. Bali thought that the dwarf didn’t know how little he was asking for. He asked him to ask for a great deal more as dana (ritual gift), but the Dwarf avatara wanted nothing more than three steps of land. Bali’s preceptor Sukracharya warned Bali that the dwarf was Narayana Himself and he had arrived to deprive him of all his possessions and power. Bali wouldn’t listen; a dwarf is a dwarf, his steps are small, so how would it matter if the guru was right that that he was Narayana Himself? But when the time to give dana came, the dwarf’s foot was no longer a dwarf’s foot. Bali was the lord of the bhuloka (earth) and the higher lokas (worlds) as well. In his two feet the Dwarf covered all that. When the third foot emerged from his navel, Bali offered his head to him and Narayana despatched him to the Netherworld. The great Bali perished because he wanted to fulfil Narayana’s demand, said Sakuni to Duryodhana. Krishna was the same Vamana, he told him, and had come to dispossess him of everything that he had. He advised him to give Krishna nothing at all. If he gave him just one village instead of two, he would absorb the entire universe of space in that one village, like what Vamana had done, and Duryodhana would be left with nothing to even stand on. So Duryodhana must abandon all thought of pleasing Narayana with a gift of two villages.

The wise Bhishma intervened and told Sakuni that his narrative was incomplete; so, his conclusion, wrong. After sending him to the patala loka, Narayana made Bali the king there, where he was like Indra of the swarga loka in every respect. Not just that. He Himself left his own abode and stayed with him for his love for him. But all this made no impression on Duryodhana; quite understandable, one would think. Who would sacrifice his today for his tomorrow, especially when he has wealth, power and status!

So, Bhima and Krishna were similar in just one respect, but unpack that similarity and you find a great difference. Bhima’s discontent was with respect to his bodily cravings. He couldn’t get certain pleasures to the level of his satisfaction. In Sarala Mahabharata, it is unclear whether Narayana wanted anything from anyone: dana, mana, bhakti or whatever else. The gods, the humans and the demons gave him things on their own, not knowing that one cannot please him by giving him anything whatever - this is all that this celebrated narrative by Sarala Das says. In the spirit of our ancient knowledge, all we can say is the following: He is not pleased if you worship Him, He is not displeased if you do not worship Him. He is not pleased if you pray to him and sing his mahima (glory); he is not displeased if you abuse him. Then what remains for us to do? Witness his leela perhaps? At least  that’s what I think poet Sarala says to his listeners and readers across centuries in his Mahabharata, popularly known as Sarala Mahabharata.     

Note:

Vyasa Mahabharata is about nara (the humans), whereas Sarala Mahabharata is about narayana ( Supreme god Narayana); Vyasa Mahabharata is about dharma (virtuous living), whereas Sarala Mahabharata is primarily about moksha and secondarily about dharma. This is what I understand. 

17.5.25

THE WAR CODE: ANOTHER VIEW

 

War between the Pandavas and the Kauravas was imminent. In the assembly of the warriors who had joined him, Duryodhana appealed to them to give him victory. They assured him that they would fight for him with utmost commitment but would not be able to win the war for him. The Pandavas themselves were great warriors and with Krishna on their side, they had become invincible.

 

Duryodhana turned to Bhishma. He told him that there were many great warriors on his side and his army was huge. In contrast Yudhisthira’s army was small. Would the huge Kaurava army, he asked Bhishma, not vanquish the small Pandava army easily? Bhishma said the question was not how large his army was and how small the enemy’s but who were fighting on which side and how capable they were. It was within Bhurishrava’s power, said Bhishma, to kill them all in three days, Shalya in two, and Aswasthama, in one. Karna could do so in three praharas (three quarters of a day) and guru Drona, in two. As for himself, said Bhishma, he could end it in one prahara but Arjuna, in just a muhurta (moment).

 

Arjuna had defeated Bhagawan Shiva and pleased with him, the greatest of the gods had given him the infallible arrow, named Pashupata. Arjuna had defeated Indra, the king of the gods along with some other powerful gods in the forest of Khandava. He had defeated the incomparable Balarama and later, Krishna himself. Only the other day, he had defeated, single-handed, the entire Kaurava army in the Virata war. Arjuna was unconquerable, said Bhishma.

 

Duryodhana asked him if there was a way to neutralize him. Bhishma said there was. A rule could be made with the consent of all the warriors to the effect that weapons received from the gods must not be used in the Kurukshetra war. He suggested to Duryodhana that he must invite the Pandavas to Hastinapura. They all would persuade them to accept a war code, which would include the above-mentioned constraint. Both sides must work out the code together and both sides must commit themselves to it. Sakuni was entrusted with the task of bringing the Pandavas from Jayanta (pronounced as jayantaa), where they were staying, to Hastinapura.

 

Bhishma knew that wars are not always won or lost in the battlefields. Victory could be manipulated; victory could be assured even before stepping on the war field. Now, in such a situation, a “heroic” performance on the battlefield loses authenticity and victory and defeat become meaningless. How fettered, for instance, was the defeated - by a curse or a promise made to someone dear or revered, or to self or by a rule or a personal value and the like? Bhishma lost in the Kurukshetra War because he had promised to himself that he would not fight a woman. Yudhisthira lived because Karna had promised Kunti that he would not harm any of her sons except Arjuna.

 

Sakuni went to Jayanta and told Yudhisthira that he had come at Duryodhana’s behest to invite them to Hastinapura where they and the other warriors would work out a war code. Bhima asked him why Duryodhana did not come to them. Sakuni said that in Hastinapura, there were the Kuru elders, kings from many kingdoms and many others; the war code could be made in the presence of them all.

 

So the Pandavas went to Hastinapura with Krishna. They were fondly welcomed at Hastinapura and there was bonhomie among the Kauravas and the Pandavas. In the presence of all, Yudhisthira asked Sahadeva when the war should start. Sahadeva said the very next day – Tuesday, the dwithiya tithi (the second day) of the month of Magha - would be good for the purpose. Everyone agreed.

 

Duryodhana told Yudhisthira that since brothers would be fighting with brothers, they must fight without malice or hatred towards each other and there must be no bitterness or hypocrisy. He said that this would be the war of dharma and the witness would be the Avatara Himself! He said dharma would win.

 

Now, would Duryodhana have said all those things if he did not believe that he had done nothing adharmik (morally wrong) in not sharing the kingdom of Hastinapura with the Pandavas, no matter who all had said things to the contrary? In Duryodhana’s tone there was no insincerity. And for him, giving half the kingdom would be sharing the kingdom, as would be giving one village. No one goes to war under the banner of adharma. Duryodhana was certain that he wasn’t.

 

Then he said, “Let no one use weapons the use of which one hasn’t learnt from one’s guru (preceptor). Let Arjuna not use manavedi arrow. Let the warriors kill during the day but be cordial to one another when the fighting stops at sunset and they must then sit together as close friends and enjoy the togetherness.” Everyone agreed.  “No one must violate the code”, said Duryodhana, “Narayana will be the witness. The one who does, will suffer”. The Pandavas and the Kauravas solemnly promised to abide by the Code.

 

Bhishma’s objective was to disempower Arjuna; King Duryodhana said what he wanted. The Pandavas could not have failed to understand Duryodhana’s motive, although they would not have guessed that the idea was Bhishma’s. In any case, they did not say anything. The meeting ended. The Pandavas returned to Jayanta. They had to make preparations for the war that would start the following morning.

 

No one, neither the Pandavas nor the Kauravas, mentioned the infallible weapon Karna had received from god Indra. Everyone in both sides knew that he had decided to use it against Arjuna alone. With that weapon, Karna could have effectively won the war for Duryodhana. With Arjuna killed, his four brothers would not have survived. Now, the code disempowered Karna too. One could guess why the Indra-given weapon was not mentioned, but one guess would be as good as another since there is nothing in the narrative that offers a clue to why it was ignored in the making of the War Code.  True, Pashupata astra was not mentioned either but it was in everyone’s mind.

 

Now, was it ethical for the virtuous Bhishma to plan with Duryodhana as to how to disempower Arjuna? Was the idea of War Code not essentially camouflage? In our view, Bhishma was right about constraining Arjuna with respect to the use of Pashupata ashtra, the all-destroying divine arrow. Since brothers were to going to fight with their brothers, he wanted there to be a level battlefield. He was also justified to have Duryodhana propose the condition. A King declares a war; so it’s for the king to make statements about it. And Duryodhana was the king.

 

But what was unethical for Bhishma, in our view, is that he did not say it during the Code- making that it was his idea and that he was being fair to both sides. He loved Arjuna most dearly and knew it very well that Arjuna loved him and revered him profoundly. So hiding the truth about the War Code from Arjuna reduces, in our opinion, his moral stature in the narrative.

 

Talking about manipulating disempowerment, in Sarala Mahabharata, Karna has been the victim more than anyone else, one would think. He was disempowered by Indra and later, by his mother, Kunti. Both had trapped him. There is no place here for those fascinating details. 

 

To conclude, the War Code did not survive; it was violated repeatedly by both sides. Those who had made it together, destroyed it together. But the Code, the poet Sarala’s creation, has lived, in a manner of speaking, in a different way. The narrative has given it permanence; in the entire puranic literature, it is the only instance of adversaries in a war sitting together and formulating a moral Code to follow during the war.

Notes: (a) This essay was published in Samachar Just Click under the title: "The War Code in Sarala Mahabharata: A Tale of Strategy, Ethics and Disempowerment" on January 9, 2025.

(b) The story of this post and the post on September 13, 2024, namely, "Politics of the War Code", is the same. But here, the perspective is different; as such different issues have been raised and discussed. Thus this post is not a repetition of the post of September 13, 2024. 

DIFFERENT STORIES, DIFFERENT PERSPECTIVES (On Variations in Sarala Mahabharata)

The variations are with respect to Vyasa’s Mahabharata (referred to, alternatively, as Vyasa Mahabharata here).  Sarala Das’s Mahabharata (referred to as Sarala Mahabharata here), composed in Odia in the fifteenth century, is not a translation of Vyasa Mahabharata but a remarkably creative retelling of it. Sarala re-conceptualised the ancient narrative and retold it. In his narrative, he introduced variations in certain ways to express his understanding of the classical text, his poetic vision and insights into various matters, such as the human condition in the world, the nature of agency in a pre-determined world and the nature of divine intervention in the affairs of the humans, etc. Sarala Mahabharata scholars over the years have enumerated many variations but have not dealt, barring just a few, in detail with the significance of the same. We discuss here in brief two stories which are Sarala’s innovations in the sense that they do not occur in Vyasa Mahabharata.

We begin with the story of the “Mango of Truth”. Yudhisthira needed a ripe mango for a sage who had visited him. The visitor had told him that he would accept only a ripe mango for his food from him. It was autumn. The “sage” was Gauramukha, Duryodhana’s spy in disguise, who he had sent to the forests to trace the Pandavas, who were already into their ninth year of exile after losing the second game of dice. Just three years of exile remained and Duryodhana was getting worried. Yudhisthira invoked Krishna and he arrived. Krishna invoked sage Vyasa and Vyasa arrived. Vyasa planted a mango seed, as told by Krishna and at the Avatara’s wish a plant appeared. Krishna then asked each of the Pandavas and Draupadi to speak some truth about themselves so that at the end a ripe mango would emerge. He warned them that if anyone told a lie then the tree would burn to ashes. First spoke Yudhisthira, then Bhima, then Arjuna, Nakula and Sahadeva in that order and finally Draupadi spoke. Seven ripe mangoes appeared. Krishna gave one to the sage.

But he ensured that Gauramukha did not take the mango to Duryodhana. He met him disguised as a brahmin and told him that it was not a real mango because a ripe mango in the autumnal month of Bhadra is out of nature and that if he went to Duryodhana with that fake mango, he would become the laughing stock in the court. Gauramukha told him that the fruit was real because he had witnessed the entire process of its coming into existence. Krishna told him that utterance of truth cannot change the law of nature. He told him that he wanted to subject it to a truth test. He uttered a number of lies, such as he had “seen” the sun rising in the west and setting in the east, the sun shining at night and the moon, in the day, a lotus grown on the top of a hill and the like. Unable to withstand the onslaught of lies, the mango of truth disappeared. Krishna told Gauramukha that the mango was unreal and that he had saved him from ridicule in the Kaurava king’s court.

Turning to what Draupadi said when her turn came. She said that although she had five husbands, she wished for Karna. This occurs in the version of Sarala Mahabharata published by Sarala Sahitya Sansad and seems to have received popular acceptance. Sarala Mahabharata scholars are generally of the opinion that exposing Draupadi as just an ordinary woman and by no means a “sati” (virtuous woman), is the purpose of this episode. Sarala Mahabharata, edited by Artaballav Mohanty and published by the Department of Culture of the Government of Odisha does not contain this. Here she said something else; she talked about her having the same weakness as other women, namely that when they saw a handsome person, who might even be their blood relative, they would desire him. She also said that she had a special fondness for Arjuna. In either version, Draupadi emerges as an unexceptional woman. As for the Pandavas, what they said revealed no dark secrets about them and can be ignored in this discussion. (For some details of this fascinating episode, see my post “The Mango of Truth” in the blog: saralamahabharat.blogspot.com). One wonders if exposing Draupadi’s secret desires could be a strong enough justification for this innovation in the Mahabharata story.

No Pandava ever talked about Draupadi’s weaknesses and there was no change in the attitude towards her on the part of any of her husbands on that account. After her death, Yudhisthira did mention her special fondness for Arjuna as an act of adharma (sin) but during her life time he never treated her unkindly for that. In other words, Draupadi’s revelations about herself has no consequences at all for the narrative. Her view of woman’s nature concerning handsome males may be interesting but it would hardly count as a deep insight into the woman’s sexuality in the context of Sarala Mahabharata.

In our opinion, a Draupadi-centric reading of the episode, which has been the case so far, as the literature on this episode shows, can hardly raise questions of interest and significance. A reading of it from a different perspective is certainly in order in my opinion.

We suggest a mango of truth-centric reading of the episode. In this reading, questions of appearance and reality, of the power of the utterance of truth and also of falsehood and of the role of Krishna would arise. Can the words of truth really extend the possibilities of happenings in the real world that defy the laws of nature? Was the mango of truth a real world object? What is the power of lies? Is the power of truth and of untruth inherent or derived? What is Krishna’s role in the appearance and the disappearance of the mango of truth?

The Pandavas’ and Draupadi’s utterances of truth made the impossible possible, but Krishna’s lies destroyed what truth had created. So, truth can create, lies cannot. There was pratyaksha pramana (evidence based on what the eye had seen) for the existence of the mango but that was no evidence for the reality of the mango, as Krishna told Gauramukha when he advised him that the mango should be subjected to a truth test to determine whether it was real. When it was destroyed, he told him that it was indeed unreal because words could not destroy a physical object.

Incidentally, there is no mention of the other mangoes in the narrative. One could presume that they all vanished once Gauramukha’s mango was destroyed. There is no mention of the mango- of- truth event in the narrative thereafter.

It is true that the truth of the Pandavas and Draupadi produced the mango but their truth was empowered by Krishna. It was he who had told them that their truth would yield the desired fruit. So in a sense his words for them were his truth. It was his truth that created the mango and it was his lie that destroyed it. It is not clear whether the mango was an illusion or a real object. A real world object could not be destroyed by words but when Indra received the mango from Krishna, he must have thought it was a real mango. In any case, the narrative does not need this clarification. By creating the mango as the causer-agent, Krishna disturbed the order of the natural world and by destroying it as the agent, he restored order to it. Viewed thus, the episode is a description of his leela.

When we read Sarala Mahabharata, we must not ignore Sarala’s repeatedly referring to his narrative as “Vishnu Purana”. So Sarala used the story of the Kuru clan to expatiate on the leela of the Purna Avatara (the complete manifestation) of the supreme god Vishnu.  

Let us consider another innovation in Sarala Mahabharata. Here the last effort to avoid a fratricidal war was made by Yudhisthira, not Krishna, as in Vyasa Mahabharata. Here Krishna did not offer any advice to Arjuna when he expressed his unwillingness to fight in the Great War in Kurukshetra. He left his brother’s problem in the hands of Yudhisthira. 

Incidentally, scholars of Sarala’s magnum opus have observed that there is no Srimad Bhagavad Gita in Sarala Mahabharata. The explanation of its non-occurrence has mostly been in terms of Sarala’s audience, who did not have the benefit of education. But it has not been noticed by the scholars that Arjuna’s problem in this work was fundamentally different from the same in Vyasa Mahabharata (taking Srimad Bhagavad Gita to be part of this work). In Sarala’s retelling, Arjuna was unwilling to start the war by attacking anyone in the Kaurava side. If anyone attacked him, he would respond and he had absolutely no hesitation in killing anyone in the enemy’s side, be it Bhishma or Drona or his cousins, he told Krishna. He firmly believed that the sins of the killing in the war, where blood of the innocents flows, accrues to the one who starts a war. There were others in the world of Sarala Mahabharata who had the same belief, Dhaumya, the venerable priest of the Kuru family being one. This being Arjuna’s problem in Sarala’s Mahabharata, there is obviously no place for the Gita discourse here.

To return to the war, when he heard about Arjuna’s unwillingness to attack the Kaurava warriors, Bhima asked Krishna to permit him to attack them. Krishna asked him to attack Dussasana. As he was readying himself to do so, Yudhisthira stopped him and said that he would make an effort to avoid the war. Ignoring the warnings of his brothers, relatives and Krishna himself, he proceeded towards the Kaurava army all alone and unarmed. In all humility, he paid due respects to Bhishma, Bhurishrava, Shalya, Drona, Ashwasthama, Kripacharya and Karna, who he knew, as did everyone else in the world of Sarala Mahabharata, was his elder brother and received their blessings for victory in the war.

Then he met Duryodhana and pleaded with him for five villages of Duryodhana’s choice. In contrast, Krishna had asked for five villages of his choice when he went to Duryodhana as Yudhisthira’s emissary. When Duryodhana refused, Yudhisthira asked for four, then three villages, finally ending up with just one. Duryodhana said he would not give him anything at all. He told him that if he won the war, then he would be the king of Hastinapura and if Yudhisthira won, then he would be the king.

Yudhisthira chose to take his saying literally and told him that since he held that view, then the war should be fought between the hundred Kauravas and the five Pandavas and that he should ask everyone else to leave the battlefield. He told him that that would ensure that blood of the innocents would not flow in the battlefields of Kurukshera. Duryodhana was unwilling. Yudhisthira’s understood that his attempt to avoid the war had failed.

There is, to the best of my knowledge, nothing comparable to Yudhisthira’s proposal in the entire puranic literature. It celebrates humaneness most emphatically. In essence, the idea is that if a war becomes unavoidable, then strictly only those who directly benefit from it must participate in it. As for the others, such as the soldiers, it is not their war. In that sense, they are innocent and their killing is the killing of the innocents. In Sarala Mahabharata, war is considered sinful, and there is absolutely no situation in which war is the best solution to a problem in this narrative. In Yudhisthira’s proposal, Sarala makes a rich contribution to the war ethics articulated in our puranic literature.

By dissociating Krishna from crucial decisions about war, the poet suggests that humans alone must decide their destiny. It was pre-determined that the war would take place but human agency is not undermined in the pre-determined world of Sarala Mahabharata. At the laukika level (level of the phenomenal world), alternatives, even to war, are never unavailable to the humans, neither is their freedom to choose.

As for Krishna, the devotee Sarala saved his ista: the Avatara.

 

Note: A version of it under the title “Different Tales, Different Perspectives” is published in margAsia (Summer and Winter 2023).

POLITICS OF THE WAR CODE

 

The negotiations to avoid war between the Pandava and the Kaurava brothers had failed and war was imminent. Duryodhana appealed to the kings who had chosen to fight for him to give him victory. They told him that the Pandavas themselves were great warriors and with Krishna on their side, they were invincible. Notwithstanding all this, they would fight for him with full commitment and while having darshan (sacred viewing) of Shri Krishna on Arjuna’s chariot, they would fall in the battlefield and attain moksa (liberation).

Duryodhana turned to Bhishma. He told him that many great kings and warriors had joined his side and in contrast Yudhisthira’s army was small. Would the huge Kaurava army not vanquish the small Pandava army easily, he asked the venerable Bhishma. Bhishma said the question was not how large his army was and how large the enemy’s. It was within Bhurishrava’s power to send them all to the abode of the god of death within three days.  Shalya could end the war in two days and Aswasthama, in one day. Karna could do so in three praharas (three quarters of a day) and guru Drona, in two. He could do so in one prahara and Arjuna could do so in just a muhurta (moment).

When he fought, continued Bhishma, his hands and fist shook, when Drona fought, his chest would palpitate fast and likewise every great warrior present there had one such problem or the other. Only Arjuna was not troubled by any problem of that sort. This apart, Arjuna had defeated Lord Shiva and pleased with him, the greatest of the gods, had given him the infallible arrow, named Pashupata. He had defeated Indra, the king of the gods and the other gods in Khandava forest. He had defeated the incomparable Balarama and later, Krishna himself. Only the other day, he had defeated the entire Kaurava army in the war in the kingdom of Virata. His manavedi arrow was so powerful that everyone in the battle field fell unconscious. Arjuna was indeed unconquerable, said Bhishma.

Duryodhana understood the situation. He asked Bhishma if there was some way to contain Arjuna. Bhishma said there was one. A rule could be made with the consent of all the warriors to the effect that weapons received from the gods must not be used in the war. He suggested to Duryodhana that he must invite the Pandavas to Hastinapura. They all would persuade them to accept a war code. Both sides must work out the code together and both sides must commit themselves to it. Sakuni was entrusted with the task of bringing the Pandavas from Jayanta (pronounced as jayantaa), where they were staying, to Hastinapura.

Bhishma knew that wars are not always won or lost in the battlefields. That raises the question about the nature of the heroic acts on the battlefield and more importantly, of the meaning of victory or defeat there. How fettered, for instance, was the defeated - by a curse or a promise made to someone dear or revered, or to self or by a rule or a personal value and the like?

Sakuni went to Jayanta and told Yudhisthira that he had come at Duryodhana’s behest to invite them to Hastinapura where they and the other warriors would work out a war code. Bhima did not like the idea of going there. “Why didn’t the Kuru king come here?” asked Bhima. “Why should we go there? Are we in his service that we would be at his beck and call?” he asked Sakuni. Sakuni said that at Hastinapura, there were the Kuru elders, many kings from many kingdoms and many others; so there could be arguments and discussions while making the code. Besides, going there should not be viewed as a humiliation for them; after all, one day that place might be theirs, he said (kale tumbhakain prapata hoiba sehisthana). No one responded to the last part of what he said. Quite rightly, one might think – in a war one side would win. Might be the winner in that war would be the Pandavas, but that would hardly be something to talk about at that point in time, especially when it was Sakuni, who Yudhithira considered utterly dishonest, had said so and in the casual way he had said it.

So the Pandavas went to Hastinapura with Krishna. They were fondly welcomed at Hastinapura and there was bonhomie among the Kauravas and the Pandavas. In the presence of all, Yudhisthira asked Sahadeva when the war should start. Sahadeva said the very next day – Tuesday, the dwithiya tithi (the second day) of the month of Magh - would be good for the purpose. Everyone agreed.

Duryodhana said,” Listen, O son of Dharma, in the battlefield brothers will be fighting with brothers. Let us fight without any negative feelings towards each other– let there be no malice or hatred in our heart. Let there be no bitterness or hypocrisy. This will be the war of dharma and the witness will be the Supreme god Narayana Himself. Dharma will win the war”.

Now, would Duryodhana have said what he did if he did not believe that he had done nothing wrong with regard to sharing the kingdom of Hastinapura with the Pandavas, no matter who all had said things to the contrary? In Duryodhana’s tone there was no insincerity, no hypocrisy. And for him, giving half the kingdom would be sharing the kingdom, as would be giving one village. No one goes to war under the banner of adharma. Duryodhana had no doubt in his mind that he wasn’t.

Then he said, “Let no one use the divine weapons. Let no one use weapons the use of which one hasn’t learnt from one’s guru (preceptor). Let Arjuna not use manavedi arrow. Let warriors kill during the war but become loving friends once the fighting stopped for the day and then they must sit together and enjoy the togetherness.” Everyone agreed.  “No one must violate the code. Narayana would be the witness. The one who does, would suffer”, said Duryodhana. The Pandavas and the Kauravas took the oath to abide by the code.

Bhishma’s objective was to disempower Arjuna; it was just that it was not he but King Duryodhana who had articulated what he wanted. Pandavas surely did not fail to understand Duryodhana’s motive, but they did not say anything by way of exposing him.

No one, neither the Pandavas nor the Kauravas, mentioned the infallible weapon Karna had received from god Indra. Everyone knew that he had decided to use it against Arjuna alone. With that weapon, Karna could have effectively won the war for Duryodhana. Now, the code disempowered Karna too. There is nothing in the narrative that explains why that weapon did not figure in the deliberations. The following might give a clue.

After the war code was accepted, Bhishma spoke. “You have taken the vow”, he told Krishna, “that you would only be the charioteer of Arjuna and not wield a weapon. O, the One of infinite kindness, O, the One with boundless benevolence for His devotees, know that I am the servant of your servant. I know that you will break your oath. On my account, you will wield a weapon.”

“You have taken avatara to reduce the burden of the earth. You will be the witness in the war for both sides. We will fall in the battlefield, looking at you and will be rid of the burden of our sins of countless existences”. With that, the meeting ended. Those who had assembled there left for their respective places of stay. The Pandavas returned to Jayanta. They had to make preparations for the war to start on the following day.

Krishna did not say anything. On the sixth day of the battle, Bhishma attacked Arjuna with an infallible divine arrow and Arjuna had no arrow to neutralize it. Unseen by everyone in the battlefield except Hanuman on the top of Arjuna’s chariot, Krishna destroyed it with his Sudarshana chakra. And on the ninth day, Krishna rushed to Bhishma’s chariot with Sudarshana chakra in his hand, setting aside details, and everyone saw that. Everyone saw that Krishna had broken his vow. Bhishma had won. Narayana would never disappoint His devotee.

Returning to the non-mention of Indra-given weapon to Karna in the discussion, maybe Bhishma knew it would be ineffectual. He knew Krishna would intervene if there would be threat to Arjuna’s life. And when the Avatara had chosen to protect Arjuna, which weapon in all the brahmandas could harm him!

READING "UDYOGA PARVA" of SARALA MAHABHARATA

(A summary of the main ideas. Written in the form of notes. Written for the purpose of discussion of this extremely important parva (chapter) at a Sarala Mahabharata Group Meeting.  The points for discussion are highlighted. Unedited)

 

Broadly speaking, this Parva is about the pre-War negotiations and preparations for the Great War at Kurukshetra. This is also about Krishna’s / Narayana’s mahima (greatness and glory) and about the many ways of being connected with the Supreme god Narayana and many shades of bhakti.

 

These cursory notes might give one a feel of how Sarala Mahabharata is creatively different from Vyasa Mahabharata – how Sarala Das, the poet, keeping the basic story unaltered, introduces innovations into the narrative to express his poetic vision and philosophical insights.

 

Initial negotiations

 

From King Virata’s kingdom, the Pandavas come to Indraprastha. The Kula guru, Dhaumya, come to Yudhisthira at Duryodhana’s behest to tell them that for the interest of the Kuru Kula (comprising the Kauravas and the Pandavas both), he should not ask for the Pandavas’ share of the kingdom. Yudhisthira sends him to Duryodhana with the message that he should consider the Pandavas’ needs. When Dhaumya says this to Duryodhana, he disagrees.

Then Vidura comes to Yudhisthira and asks him not to demand the Pandavas’ share of the kingdom. The same argument:  the Kula should be protected. For that the Pandavas should make a sacrifice. Yudhisthira disagrees. All he wants are five padas (villages). They had undergone great suffering during their vana vasa (forest dwelling) and ajnanta vasa (living incognito). Vidura asks him how he would face the mighty Kauravas in the battlefield. Yudhisthira tells him that military might does not win wars. Dharma does; it is the greatest power.

To go back to Virata’s palace. Arjuna brings Krishna from Dwarika at Yudhisthira’s behest. At Virata’s place, his queen Sudeshna tells them all what would happen in the war. Draupadi and Arjuna were devastated: Draupadi because she would lose all her children and Arjuna, his son, Abhimanyu. But they were pacified with explanations of these happenings from the cosmic perspective.

Yudhisthira requests Krishna to go to Hastinapura and plead with Duryodhana to give the Pandavas just five villages. If not that, then just one. If he rejects even that request, then there would remain no alternative to war. He genuinely wanted avoidance of the war. But Krishna did not have peace in mind. He was going there to ensure that war takes place. No one knew his mind, except Sahadeva. Krishna’s betrayal of Yudhisthira, but the Avatara had a cosmic objective.

Krishna met the other four Pandavas separately. His purpose was to find out how strongly they wanted war and what their level of self-confidence was in case there would be war.

Bhima – even he! - and Arjuna were inclined towards avoidance of the fratricidal war, if they get a village each. They were confident that Duryodhana would oblige since each of them had done him good. Krishna had to work on Bhima’s mind for war. He succeeded.  Bhima talked war. Arjuna had decided that if Duryodhana does not give him a village, he would fight. Nakula wanted two villages: one for him and the other for Sahadeva. Sahadeva did not aske fo anything: he knew Krishna’s mind. He assisted him by telling him that he should ask for those villages which Duryodhana would never give.  That would ensure that war would take place. He also told him that he would earn disrepute for not adhering to the dharma of an emissary.

Then Krishna met Draupadi and she desperately wanted war. Those who had humiliated her must perish. She must have her revenge. Later, in Hastinapura, when Krishna met Kuniti at Vidura’s place, she told him most emphatically that she wanted the war to take place and that he should ensure that.

Remarks:

Kula raksha (protection of the kula) should be the most important concern of the members of the kula. If sacrifice has to be made for that, then the wiser members should do that. Of the Pandavas and the Kauravas, who were on the side of dharma and who were not, was not the question. Although it is not explicitly mentioned that saving the kula is dharma, but it is absolutely clear from the exchanges that this is so. Contrast Srimad Bhagavad Gita’s stand in this respect.

The Pandavas did not disagree. But they too were the members of the kula. They had suffered a great deal and in consideration of that, those who are in a position to help them (their Kaurava cousins), should come forward to help.

The Pandavas wanted dignified living, which for the four Pandavas (barring Sahadeva) translated into five villages. Then they would not have to live on the doles from Duryodhana or beg, for instance. For Draupadi and Kunti, dignified living meant in effect the destruction of the Kauravas.

The negotiations were really about avoiding the war, not peace between the Kauravas and the Pandavas. These two are obviously not the same.

The negotiations were bound to fail. Krishna, Yudhisthira’s emissary had war in mind and Yudhisthira or anyone else barring Sahadeva, had absolutely no idea about that. Krishna had a cosmic purpose. Sahadeva knew it and assisted him in this.

He also said that at the laukika level, Krishna’s doings would be unethical.

This is the problem of the Avataras (two Avataras): they have a cosmic task to perform and they sometimes have to violate the human moral code to achieve that objective. The two Avataras are Krishna and Vamana. They both resort to deceit. In this Parva, the Vamana Avatara is brought into the ambit of discussion. It is natural.

One would see a little later that the issue here is giving, as it was in the case of King Bali and Vamana. Here Duryodhana was to “give” villages to the Pandavas. Sakuni transforms it into giving “Narayana”. Giving to the Pandavas was, for him, giving to Narayana. Both Duryodhana and Bhishma say on different occasions the Narayana should not return empty-handed, etc.

 

Krishna in the Kaurava court

The narrative is about the so-called negotiations and more importantly about the “mahima” of Narayana, seen as undifferentiated from Krishna. In the process the mahima of Shiva is also described, although somewhat peripherally. Shiva’s doings are seen as a contrast to Narayana’s doings, with respect to giving and receiving, etc. There is the view that Shiva is very easy to please, whereas Narayana can never be content (he is a-trupati) with bhakti, daana, etc. So, tells Sakuni to Duryodhana, “do not give him anything. One can never satisfy him by giving.”  This perspective provides the backdrop to the discussion about the Pandavas’ demand from Duryodhana.

Krishna reaches the Kaurava court when the court is in session. At Sakuni’s instance, Duryodhana does not invite Krishna to come to the court. He is kept standing, waiting to be offered a seat.

Sakuni says Krishna being a sinner, who had committed serious crimes like killing a woman (Putana) and killing a bull (the demon Arishtasura, in the form of a bull), could not be invited to the august assembly.  Besides, he was of low birth. In fact, King Jarasandha had not invited to his court on that account and both Balarama and Krishna had returned humiliated.

Sakuni in this Parva, uses the strategy of not telling the whole story and telling only that part which suited him (By the way, could one say by suppressing information, he was lying? Committing an unethical act? What he said was correct but what he left unsaid about the event was also correct). Bhishma said that he hadn’t told what happened next. At Krishna’s behest, Garuda flapped his wings and in the mighty wind, the courtiers became very unstable and the court dissolved.

Similarly, later when Sakuni told the court that King Bali perished because he gave daana (ritual gift) to Narayana, Bhishma said that was not the whole story. Narayana compensated him amply. What he received was a great deal more than what he had given. By the way, Bali knew that the dwarf asking for daana was Narayana himself.

When Sakuni could not counter Bhishma, he abused him to silence him. He told him that he was issueless and such persons bring ill-luck. Bhishma kept quiet. When Drona spoke about the mahima of Krishna, he too silenced him, resorting to abuse. He charged him of being responsible for his wife’s death.

Finally listening to Vidura, Duryodhana invited him to his court and offered him a seat. (He told Krishna that since he had forgiven so many persons, he must forgive him too. He thinks it is his right to be forgiven. This is the bhakta’s (devotee’s) right. There indeed are many shades of bhakti!) Krishna told him that his dispensation would meet the same end as did the kingdom, called Babarapuri. On being requested by Bhishma to tell them about this kingdom about which he had not hear before, Krishna told the court about it. Babarapuri is a depiction of a dystopia. The prosperous Babarapuri was destroyed not because of an external enemy but because of reasons internal to it – a society that practised adhama (sin) had to collapse on its own. The same would happen to the Kaurava dispensation, he told Duryodhana.

On being asked by Duryodhana why he had come, he said he was Yudhisthira’s emissary. He told him that all the eldest Pandava wanted was five villages. He told him that it was his moral duty to take care of his brothers.

Duryodhana said they did not belong to the Kuru family and as such he had no special duty for them. None of them was Pandu’s son; so they were outsiders to the family. It’s not the mother but the father who matters in determining who belongs to the family and who does not. Krishna told him tthat his ancestry was no different, a matter he explicated in great detail. He told him that he was the son of a widow.

Greatly upset, Duryodhana asked his brothers to attack him. What he had done was not expected of an emissary. As Duryodhana’s brothers attacked him with weapons, he transformed himself as a great fish, then a tortoise and then a boar and then a dwarf. When the Kauravas still attacked him, their attitude unchanged, he was wondering if they knew anything. He then assumed the form of Nrisingha and everybody ran away in fear.

That evening when the venerable sages who were present met at Vidura’s place, where Krishna was to have his food, they were wondering what punya (good deeds) the Kauravas had done to see the five Avataras of Narayana, which no one had seen before. The Kauravas thought that it was just Krishna’s magic performance. Later Duryodhana told (his father) that Krishna’s conduct in the court was disgraceful. He assumed different forms just as actors in an opera change their dress and appear differently each time they change their dress.  

What could be of interest is why the sages and the Kauravas understood what they had seen so very differently. Two different understandings. If understanding is the result of knowledge, then how does knowledge arise in the mind?  The age-old question of how do we know what we know. Ancient Indian thinkers were concerned with this question, as were the ancient Greeks.

Krishna and the sages were entertained by Vidura that night.

 

 

That night Bhishma, Drona, Karna and the other great warriors met Duryodhana and Bhishma told him that he should not displease Narayana. The consequences would be disastrous. He advised him to have bhakti towards Narayana and have a cordial relationship with the Pandavas (sodare hua priti), who were his brothers. This would turn out to be blissful for him, he said. In between he had said that half the kingdom was the Pandavas’ right. (This is the only mention of the Pandavas’ right to the kingdom, I think, in this Parva at least. The Pandavas had not asked for their right, if they thought they had a right, based on law. Krishna did not raise the question of the Pandavas’ right. In this Parva, the issue was Duryodhana’s duty towards his brothers, who were part of the Kuru kula.). Duryodhana did not say a word in response and left the place. Then he went to meet his father. Dhritarashtra asked him why he had got angry with Krishna in the court. Duryodhana told him how Krishna had berated him in the presence of kings of many kingdoms. Unable to bear the insult, he had asked his brothers to kill him. Then he said how Krishna changed appearances and assumed different forms as do the actors in operas. Dhritarashtra advised him not to be hostile towards the Pandavas, perhaps not so much because they were his cousins but because Krishna was with them. This angered Duryodhana and he left the place. His wife, the virtuous Bhanumati, advised him not to be inimical towards Krishna. If he wanted to save his vansa (family), she said, he must have devotion towards Narayana. If he would not do that, the Kauravas would perish. Duryodhana got very angry. He told her that he would have killed her if she were not a woman.  

In the morning, Bhanumati pleaded with her spouse to give Narayana two villages and take shelter under him. She had seen a very inauspicious dream, in which she saw her husband dying and she was very scared. Sakuni told Duryodhana not to get scared of the magician who had assumed different appearances. He told him not to opt for peace for fear of him. Krishna was alone in the court and he could be dealt with appropriately (i.e., be killed).

The court started. Krishna asked King Duryodhana if he would accept Yudhisthira’s request for five villages (This was not what Yudhisthira had wanted from Duryodhana.) Duryodhana told him that the Pandavas were not his enemies. But that was not a consideration for him. Because of fear for him he would give them villages. He asked him to express his wish and he promised to give them what he wanted (Recall Bali’s oath to Vamana. One can see how the narrative of the Kuru kula was being transformed into the narrative of the doings of Narayana.) Krishna said the Kuru elders, the kings of different kingdoms and the sages were his witness that Duryodhana had promised to give him what he wanted.  He was expressing his wish because Duryodhana had promised him that he would fulfil his wish.

He then named Indraprastha, Yama prastha, Hastina, Jayanta and Barunai. If Duryodhana gave him these, he would have nothing left for himself (This precisely became King Bali’s situation.) Sakuni laughed loudly, telling everyone that this was what he had anticipated and had warned Duryodhana about. (Sakuni here is the equivalent of guru Sukracharya in the Bali-Vamana narrative. This comparison is suggested although not explicitly stated.) No one said anything.

Duryodhana asked his brothers to attack Krishna and kill him. Bhishma, Drona and Bhurishrava rushed to protect Krishna. Krishna invoked Koumudi, his / Narayana’s mace and Sudarshana, his / Narayana’s discuss. He assumed his Virata rupa (Supremely Majestic form. I think a distinction should be made between his Virata rupa here and his Vishwa Rupa (Universal Form) in Srimad Bhagavad Gita.). The Kauravas ran away in fear. Bhishma offered his head to Krishna, as did some other virtuous warriors. They wanted moksa. Krishna assumed his normal form. The Kuru elders and other venerable persons then told Duryodhana that he had done many wrongs and that he must now make peace with the Pandavas. He would save the kula by doing so.

Duryodhana told Krishna that he would not give anything at all to the Pandavas. Let them fight, he said.

As he was leaving the court, Krishna told Karna that he should fight with the Pandavas, who, he, that is, Karna, knew, were his brothers. In Sarala Mahabharata Karna knew, right from their childhood, that the Pandavas were his brothers. But Karna did not listen to him. Instead, he told him that he would kill both Arjuna and him in the battlefield.

As he was on his way to Vidura’s place, he saw Lakshmana Kumara, Duryodhana’s son, running towards him from behind. With great humility, Lakshmana Kumar prayed to Krishna and Krishna told him that he wanted him to ask him for a boon. Lakshmana Kumara told him that all he wanted was that he severe his head with Sudarshana chakra. Krishna told him that he wanted him to live for the continuance of the Kaurava side of the vansha. Lakshmana Kumara said he did not seek anything else from him. He wanted him to severe his head with Sudarshana chakra. He wanted moksa. He knew Krishna could give him moksa.

Here ends the part of Udyoga Parva that deals with negotiations to avoid the war. In the remaining part of the Parva, we get to know about the preparations for the war

Remarks:

These couplets (involving Krishna and Lakshmana Kumara) are simply sublime. There is just one more narrative in Sarala Mahabharata that is sublime.

So many most honestly and most sincerely wanted moksa from Krishna (as Narayana) but none of them got it. The one who gets moksa in Sarala Mahabharata is Belalasena. I do not think he had asked him for moksa. So one gets moksa who he chooses to give moksa. It is not something one gets through his own efforts.

It is worth noting that all who wanted moksa were from the Kaurava side. No Pandava or no Pandava woman wanted moksa from Krishna. They wanted his protection, victory in the war, etc.

If Vyasa Mahabharata is about dharma, Sarala Mahabharata is about moksa.

 

Preparations for the war

Very briefly for the present. The following are important:

(a) Yudhisthira’s declaration of war. When he learns that Krishna was humiliated, he wanted to avenge Krishna’s humiliation. The idea of villages was not in his mind. The war had to be fought on the issue of Krishna’s having been insulted.

He was advised to restrain himself. He was told that the sins of a war accrues to the one who starts the war.

(b) Sakuni met Yudhisthira and told him that he should return to the forest with his brothers and leave the kingdom to Duryodhana. He told him that being a virtuous person, he should do that. Duryodhana was an ignoramus. He would suffer in his next birth whereas Yudhisthira would enjoy the consequences of his good deeds in this birth. Yudhisthira rejected his advice with disdain. He considered Sakuni a vicious person and his advice to him, insincere.

( c) Krishna and Sakuni met alone one night. Krishna asked him whether the war should take place. Sakuni told him that he is his servitor and he do whatever he wanted him to do. If Krishna did not want war, he (i.e., Sakuni) would make Pandavas and the Kauravas go for peace. He would ensure that this would happen. Krishna just had to ask him to do this. But before he asked him to work for peace, he should remember his avataric purpose – why he had taken avatara.

For him, commitment to Krishna transcends everything. He was oath-bound to his father to avenge his and brothers and relatives’ killing by Duryodhana, who used the vilest treachery for the purpose. His father had committed him to the task of ensuring the complete destruction of the Kauravas. But he was going to betray his oath to his father for the sake of Krishna.  His words to Krishna were not insincere, uttered just to please him. He was his devotee and Krishna knew that.

( e) The Pandavas and the Kauravas met to work out a war code. There is no parallel to this in the puranic literature, incidentally. It was a war between brothers, so it must not degrade into barbaric violence. The politics of it is interesting. But about that in another piece - for the next discussion. It was Duryodhana who said that both sides must observe the war code. It was worked out in the presence of Narayana and he would be the witness in the war. (This echoes the concept of Narayana as sakshi). For that reason, it would be dharma yuddha. It is to be noted that Yudhisthira does not use this term in this sense, neither in Sarala Mahabharata here nor in Vyasa Mahabharata. Duryodhana said that Narayana’s presence in the battlefield would make the entire battlefield a profoundly sacred space.

5.10.24

 

 

  

THE TESTIMONY OF THE SEVERED HEAD IN SARALA MAHABHARATA (THE STORY OF BELALASENA)

 

Note: This is a revised version of the article “The Tale of Belalasena: A Unique Perspective in Sarala Mahabharata” published in Samachar Just Click on March 28, 2024.

 

Key words: Sarala Mahabharata, Krishna, Bhima, Belalasena, maya

 

 

The story of Belalasena occurs in Sarala Mahabharata. In Vyasa Mahabharata, there is no Belalasena story or an equivalent of it. Belalasena was Bhima’s son. Let us set aside details about his meeting Krishna on his way to the battlefield and about why he not just happily, but with great devotion too, gave his head to Krishna, when he asked for it (for some details, see “The Story of Belalsen” posted on August 15, 2017 in the blog: saralamahabharat.blogpost.com). Granting his request to witness the war, Krishna allowed the severed head to remain alive and witness it. His head was placed in a vantage position, from where he could see the war. He saw the happenings in the war from the beginning to the end.

 

In Vyasa Mahabharata, Sanjaya, the minister of the Kaurava king Dhritarashtra, was witnessing the war, sitting with the king and narrating to him what was happening on the battlefields of Kurukshetra, where his army was fighting with the army of the Pandavas. Sage Vyasa had given him the special vision because of which he could see the actions taking place at a distance. That was how the blind old king, without participating in the war physically, was experiencing it.

 

In Sarala Mahabharata, Sanjaya informed the blind, old father, who was no longer the king, having given the kingdom of Hastinapura to his eldest son Duryodhana, about the happenings in the war and he also commented on them. But he did not do so because of any special vision given to him by Vyasa or anyone else. He himself fought in the battlefield for the Kauravas and also obtained information about what had happened in different parts of the war field from others and used his experience, intelligence and insight to comment on the important events in the war and even make predictions about what was going to happen in the battlefield on the following day. In sum, there is no Belalasena in Vyasa’s version and there is no Sanjaya with special vision in Sarala’s version. It is certainly an interesting asymmetry between the source text in Sanskrit and its retold version in Odia.

 

The war ended and it was time for the Pandavas to claim credit for the victory. Present with the Pandava brothers at that time were Draupadi, Subhadra, Kunti and Krishna. Bhima said that the war was won solely because of him since he had killed all the Kaurava brothers (barring Durdaksha, who had changed sides and fought for the Pandavas). Arjuna said the war would never have been won but for him. Outraged, Nakula claimed credit for himself. Sahadeva said that he had told the death secrets of formidable warriors; so it was because of him that the Pandavas won the war. Yudhisthira said he was steadfast in dharma and it was indeed this that brought victory to them.

 

Draupadi said that she was an exceptionally virtuous woman (mahasati); it was this power of her that destroyed the Kauravas. Subhadra, Arjuna’s wife, told them that all of them were dead wrong. She was indeed the cause. The Kauravas killed Abhimanyu, her son, and her brother, Krishna, avenged his killing by having them wiped out. Finally Kunti spoke. She said that she had undergone great hardship for years and as she suffered, she prayed to Dharma (god of justice). The Pandavas’ victory was the god’s answer to her prayer. Soon they started fighting over the issue of credit.   

 

To settle the issue, Krishna brought them to the severed head and asked him what he had seen and who could be justly credited for the victory. The severed head told him what he had seen: no human or demon had killed anyone. A chakra (discuss), dazzling with the glare and the brilliance of a myriad suns, unceasingly moved to and fro - from one part of the war field to the other, killing the fighters.

 

This can be viewed as an embodiment of a very important idea in the eleventh chapter of Srimad Bhagavad Gita, namely that the Supreme Lord had already killed all those who were to fall in the war. The warriors would only act as the killer; such is His leela (play) and such is how the cosmic and the laukika (mundane / the level of sense experience) levels connect in the text. What is real, the truth, at the laukika level is not the truth at the cosmic level; in fact, at that transcendental level, the laukika-level reality does not exist. Under the power of maya (cosmic illusion), humans can perceive things only at the laukika level and therefore take illusion as real. This is the limitation humans have to live with and this could be why they consider themselves to be kartas (doers), agents, rather than instruments of the happenings. In Sarala Mahabharata, there is no Srimad Bhagavad Gita, but the above shows how it had unobtrusively entered Sarala’s narrative, where the Gita idea under reference here had taken the form of a story. Because of the grace of Krishna, Belalasena had seen the reality. The ability to see the reality is not the outcome of one’s karma. Arjuna witnessed the Vishvarupa (Universal Form) of Krishna because of Krishna’s grace. Belalasena saw his leela in the battlefields of Kurukshetra for the same reason. Freed from the bondage of maya by Krishna’s grace, he had not seen what Sanjaya had seen, namely things at the laukika level, where someone killed someone and someone else, some other. Krishna had granted him his wish to be able to witness the war. Only the one who is chosen by Him to see the transcendental reality, sees it.

 

To end the story of Belalasena. His story is short as was his life in the world. He came into Sarala’s narrative to be the witness of a catastrophic, yet transformative Event, and give a testimony, which would be the final word on the happenings in that Event. The testimony given to the Avatara in the presence of those who claimed credit for the victory in the Great War of Kurukshetra, he left the narrative. But his going was not ordinary; it was truly exceptional.

 

Listening to him, Bhima was agitated in the extreme. Here was his son betraying him, instead of supporting him. He condemned him as a thoroughly unworthy and disgraceful son; one, who did not take the side of his father in a situation of conflict and belittled him in front of others. Wild with anger, he hit the head of his son with all his might. From the top of the tree-trunk, which served as a pillar and from where the head had witnessed the war, it fell on the ground and died. The father killed the son, but not in the performance of a sacrifice.

 

Belalasena’s story ended when Krishna absorbed his soul into him. Merged into the Supreme god Narayana, he was no longer subject to the karmic cycle. No one in Sarala Mahabharata received moksha in this sense. This can be viewed as the Avatara’s “pratidana” (return dana) for the “dana” he had received from him.

 

30 March 2024

 

 

ON INCONSISTENCIES IN SARALA MAHABHARATA

There are at least two kinds of inconsistency in “Sarala Mahabharata”. The narrative operates at two levels; at one level, sage Agasti (Agastya) narrates the Mahabharata story to Vaibasuta Manu, the lord of the aeon. At another, sudramuni Sarala Das narrates that story to his audience. The second enters into the first when the poet Sarala makes observations about himself or on some matter in the narration, or offers prayers, etc. When there are inconsistencies in the sage Agasti’s narration, Vaibasuta Manu interrupts the sage and seeks clarification, which the sage offers. This is how inconsistencies are resolved in that narrative. We say nothing about this kind of inconsistency here. Now, there are inconsistencies in Sarala’s narrative, which the audience, distanced from him in time, notes. Obviously such inconsistencies cannot be resolved through the poet’s intervention. Let us call the former inconsistency “narrative-internal inconsistency” and the latter kind of inconsistency the “external inconsistency”.

In the Kaurava court, where he had gone as Yudhisthira’s emissary of peace, Krishna told King Duryodhana that since the Pandavas were his brothers, they had a share in the Kuru kingdom (pandave sodara tohara jugate bhaga lagun). But all they wanted was just five villages. He was pleading with him to give them five villages and he said that the sages in the court were his witness: munimananta sakshakari grama ambhe magun. Duryodhana upbraided him for supporting a wrong claim. He said that the Pandava brothers, every one of them, whether Kunti’s sons or Madri’s, were outsiders to the Kuru family, being born of those who did not belong to the family. Dharma, Pavana, Indra, Ashwini Kumar were the fathers of Yudhisthira, Bhima, Arjuna and Nakula respectively and as for Sahadeva, he Kumara’s (Ashwini Kumara’s) son. He told Krishna that none of them was Pandu’s son and only Pandu’s son had a right on the kingdom of the Kurus: jugate pandu virjye huante jebe jata/ nichaye bhaga tanku laganta jagannatha – If they were born from the seeds of Pandu / right of share would have accrued to them) (Udyoga Parva, couplets 21-26, p. 1990).

In the Draupadi vasta harana (disrobing of Draupadi) episode, Dussasana told Bhima, in the court of King Duryodhana that Sahadeva apart, they all were born illegitimate and that only he was their brother: yeka matra sahadeva ate ambha bhrata. They would give him half the kingdom and make him the King: ardha rajya dei taku karibu nrupasain. (Sabha Parva II, couplets129-130, p. 1287). It is true that he was not entitled to make such an observation, he was not the king, Duryodhana was. But Duryodhana did not contradict him nor did he show any displeasure with respect to what his brother had said. Therefore it would not be unreasonable to infer that he agreed with his brother.

This is one instance of the inconsistencies in “Sarala Mahabharata”. Consider another.

The Avatara had given up his mortal body and after sometime, Dwaraka was submerged in water. A devastated Arjuna was returning to Indrapratha and with him were the sixteen thousand women of Krishna. On the way, they ran into some cowherds who were grazing their cattle. They grabbed the women. They were theirs, they told Arjuna. He attacked them with arrows. They were unafraid and they stopped those arrows with which the great Pandava had won many battles with their umbrellas. They mocked at him and told him that they were not like Bhishma and Drona. Arjuna felt weak and helpless and couldn’t even lift his bow, Gandiva. He could not protect Krishna’s women and returned to Indraprastha utterly dejected and defeated (Mushali Parva, couplets 20-42, pp.  2624-2625).

In Swargarohana Parva, there is the story of Yudhisthira marrying an Odia girl named Suhani. After handing over his kingdom to Parikshita, Yudhisthira, along with his brothers and Draupadi, left Indraprastha on vanaprastha. They were on the last pilgrimage of their life. They came to Jajpur on the bank of the sacred river Baitarani. Several people came to pay their respects to them and one day came Hari Sahu, a vaishya by caste, with his fifteen year old daughter Suhani. Yudhisthira told him that it was not right that he hadn’t yet given his daughter in marriage. Hari Sahu said that the girl was destined to die during the wedding and he did not want to see that happen. Then he pleaded with the eldest Pandava to marry her. He told him that that relationship would bring glory to his entire community and for that, he was willing to sacrifice his daughter. Yudhithira was shocked and tried to convince Hari Sahu about the unreasonableness of his proposal. But his brothers advised him that it would not be an act of dharma to reject the proposal. And Arjuna assured him that the girl would not die. He said he had pleased god Yama on an earlier occasion and would pray to him to save the girl. He was confident that the god would grant his prayer.

As the family priest Dhaumya was conducting the wedding in the presence of the venerable sage Vyasa and many sages who had come with him, Kala and Vikala, the messengers of the god of death, approached the girl. With one arrow, Arjuna tied them up. Chitragupta, who is god Yama’s associate, fled in fear and reported the matter to Yama. The god of death came himself. Arjuna prayed to him to spare the girl but the angry god refused. So with two arrows he tied him up and dispatched him to the distant Sumeru Mountains. Later, at Hari Sahu’s behest, he set the god free.

It is the same Arjuna, who had lost his fight against the cowherds and unable to hold it in his hand, had carried his bow, Gandiva, on his shoulders, all the way to Indraprastha.

Now the question is how to resolve the inconsistencies mentioned above.  To deal with the first, we have to consider the facts about Sahadeva’s birth, which were known to everyone in the world of “Sarala Mahabharata”. He was the biological son of Pandu and Madri. As the curse on Pandu materialized, he died and with him died his wife, Madrii, after giving birth to the baby who came to be known as Sahadeva. Soon after his birth, the baby died for lack of nourishment. The god Ashwini Kumara was directed by god Surya to look after the newly born. When Ashwini Kumara found the child dead, he shared his life with him and the baby breathed again: apana tanuru se kadhile ardha atma // se mruta pandare prabesha karaile jiba/ ( Adi Parva, couplets 59-60, p. 102). So, “sharing” meant that he extracted part of the “livingness” (“life energy”) from himself and placed it in the dead body (of the baby). In “Sarala Mahabharata”, Sahadeva was not the only one who was restored to life (Parikshita was, for one example) but in no case, there was this kind of “sharing”. When Dussasana said Sahadeva belonged to the Kuru family, his assertion was not without logic. Similarly, when Duryodhana said that he did not belong to the family, he wasn’t wrong, either. But the argument against Dussasana’s assertion is that the Sahadeva who was Pandu’s son, had died and the argument against Duryodhana’s was that the body in which god Ashwini Kumara placed part of his life energy was of Pandu’s son. So both Dussasana and Duryodhana were right and wrong. It was the circumstance of utterance that mattered. The sharing of the kingdom was the issue when Duryodhana made his assertion. It was not, when Dussasana did. This in our view is a reasonable resolution of the inconsistency.

To turn to the other inconsistency. In order to resolve it, it may be said that Arjuna was utterly devastated when he had to fight the cowherds. He had hardly been able to come to terms with Krishna’ passing away. His loss of strength was a reflection of the state of his mind, in fact, of his entire being. He had recovered when he dealt with the god of death. Other interpretations of Arjuna’s defeat are not ruled out but the one given is sufficiently persuasive in our opinion. So we leave the matter at that.

One might raise the question as to why such inconsistencies are worth resolving at all. Hundreds of years after, the way an editor compiles an acceptable text - from his point of view - from a host of manuscripts, all copies and re- and re-copies of the original, which can never be found (at least in the present case), such contradictions, interpolations, minor modifications, etc., which do not affect the narrative in any significant way, are only to be expected. They are part of the process of the making of such texts. Viewed thus, resolving contradictions turns out to be a pseudo issue.

The merit of this position is undeniable. But at the same time, we wish to suggest that looking for coherence when confronted with the unexpected, the unintelligible and the contradictory is part of human nature. That is why we look for underlying meanings when the literal meaning of an utterance is incoherent, as in “The stick is coming.” As for scientific work, where “science” means “rational”, Noam Chomsky observes, as do some philosophers of science, that it aims to offer intelligible theories of the universe. One could observe that the same is true, in other ways, of the poetry of the Vedas, the spiritual contemplations of the Upanishads and the philosophical explorations in various cultures about human nature and the world we live in.  

(published in margAsia: Summer 2022. pp. 7-9.